|
|
|

|
| VERA
CRUZ
(94 mins) $14.95 |
| 1954 MGM |
| Region 1 |
| Video: 16x9 Enhanced Widescreen
(2.00.1) |
| Audio: Dolby Digital Mono 2.0 (English,
French, Spanish) |
| Subtitles: French, Spanish |
| Chapter Stops: 16 |
| Packaging: Keep Case |
| Theatrical Trailer |
|
|
Directed by
Robert Aldritch |
|
Produced by Harold Heicht and James Hill |
|
Written by Roland Kibbe, James Webb, and Borden
Chase |
|
Music by Hugo Friedhofer |
|
Special Effects by Russell Shearman |
|
Cinematography by Ernest Lazlo |
|
Starring Gary Cooper,
Burt Lancaster, Denise Darcel, Cesar Romero, Sara Montiel,
Charles Bronson, Ernest Borgnine, Morris Ankrum, Jack Elam, and
George Macready |
VERA CRUZ is a Technicolor Western starring Gary Cooper
and Burt Lancaster, directed by Robert Aldritch and produced by Harold Hecht
with distribution through United Artists. VERA CRUZ was filmed on location in
Mexico circa 1954. The film was the first such feature to be filmed in the
Superscope process, which results in some truly awe-inspiring Ernest Lazlo
cinematography, showcasing the outlandish Mexican landmarks such as the
Teotihuacan Pyramids and Chapultepec Palace. MGM Home Video selected this motion
picture as one of the debut releases in their Western Legends label, and it was
clearly a perfect title to go with.
Colonel Ben Trane lost his plantation and fortune in the
Civil War. He intends to recoup money through mercenary work in Texas and
Mexico, putting his fighting and marksman skills to work for a price. When Ben
gets close to the Mexican border, his horse breaks it’s leg. Luckily he
happens upon a nearby ranch where he meets Joe Erin. Ben offers to buy a horse
and Joe sells him one. Suddenly, a team of Lancers (enforcers for the Mexican
government on horseback) come riding over the plains. Joe Erin is quick to flee,
and that’s when Ben realizes that Joe is not really the owner of the ranch--he
just happened to be robbing the place! Ben and Joe escape the Lancers by horse
jumping over a ravine. Safe from the clutches of their pursuers, Ben and Joe
engage in a quick battle of wits and fists, which leaves Joe unconscious while
Ben mounts his horse. Ben continues on until he comes to a town. When he enters
a cantina, the ruffians within notice that Ben has rode in town on Joe’s
horse--these guys are upset because they are members of Joe Erin’s gang! All
hell is about to break loose in the bar, until Joe himself strolls in and
prevents things from getting out of control. Of course, Joe himself is an outlaw
with no control.
Ben has earned respect from Joe, however, because no one
has ever stood up to him. When Ben tells Joe that he is down in these parts to
earn money, Joe tries to convince Ben to join his gang. The Emperor of Mexico
has offered money for gunfighters to accompany his forces on a special mission
to Vera Cruz. The Emperor sends Marquis Labordere (Cesar Romero) to negotiate
with prospective mercenaries. When other gunfighters show up seeking to get in
on the action, Joe’s gang makes short work of them. This impresses Marquis
Labordere and he offers Ben and Joe’s gang the well-paid gig. Suddenly Ben,
Joe, and the Marquis are surrounded by Mexicans as far as the eye can see. A man
emerges from the mass of humanity, and reveals himself as General Ramirez
(Morris Ankrum), leader of the Mexican Revolutionary movement. He attempts to
recruit Ben and Joe into their cause against the oppressive leadership of the
Emperor. Ben and Joe refuse because General Ramirez has no money to offer; they
leave with the Marquis. General Ramirez scoffs at them and warns that they will
meet again. The Marquis and a team of Lancers escort the uneasy alliance back to
the royal palace. The Emperor (George Macready) explains that he has hired them
to accompany the Countess Duvarre (Denise Darcel) to Vera Cruz, which is the
heartland of General Ramirez’s revolutionary army.
The Emperor sends his team of Lancers to help the
mercenaries protect Countess Duvarre. The Emperor’s forces join Ben, Joe, and
the Marquis in the caravan, which has several runs ins with the Mexicans during
the journey. A beautiful Mexican pickpocket named Nina (Sara Montiel) abandons
her people to join the caravan (because she has a crush on Ben). When the
caravan finally arrives in Vera Cruz, Ben and Joe discover that there is a
shipment of gold hidden in Countess Duvarre’s stagecoach. They realize the
whole affair was merely a smokescreen to transport the Emperor’s gold to his
fort in Vera Cruz. Only three people know about the gold in the stagecoach—Ben,
Joe, and the Countess. The three band together to steal it and split the gold
three ways. But trust is not an easy thing to establish when gold is on the
line. While Ben, Joe, and the Countess are conspiring against one another, the
Marquis and the Lancers steal the gold from under their noses and retreat to the
Emperor’s nearby fortress. A dejected Ben and Joe reunite with Joe’s
untrusting gang members. Joe’s former allies turn against him, but this ugly
scenario is overshadowed by the arrival of General Ramirez and the Mexican
revolutionary army. General Ramirez proclaims that he is leading his army into
battle at the Emperor’s fortress. He offers Ben, Joe, and his boys the chance
to join him against the Emperor. Realizing that the gold is behind the walls of
the very same fortress, Ben and Joe are eager to join the Mexicans. Our heroes
lead the charge as the Mexican revolutionaries face off against the Emperor’s
army for the freedom of Vera Cruz!
VERA CRUZ is the missing link in the evolution of
old-style epic Hollywood Westerns and the modern super-violent Western. Robert
Aldritch takes the best of both styles and serves it up with some memorable
characters and situations. The script is packed with plot twists, intrigue,
double crosses, and triple crosses. The characters are not stereotypical of the
genre, and no one is really on the right side of justice. The narrative becomes
a matter of who’s conning who. Aldritch plays up the ruthless elements of the
story, and wraps the film with flair and suspense. Aldritch also has a knack for
turning psychopaths and criminals into compelling characters (see WHATEVER
HAPPENED TO BABY JANE? And THE DIRTY DOZEN). The final product is a blueprint
for the epic Spaghetti Western genre. VERA CRUZ is clearly a major inspiration
on the works of Sam Peckinpah and Sergio Leone. The only missing is a score by
Morricone!
Gary Cooper delivers a subdued but enlightened performance
as Ben Trane, a former Civil War military leader, who sympathizes with the
Mexican revolutionaries. Cooper is thoughtful and intelligent and lets his guns
and fists do his talking. Burt Lancaster’s Joe Erin is the exact opposite of
Cooper--he’s loud, crude, and devious with the same dangerous talents as his
friend, the former Confederate Colonel. Burt Lancaster steals the show with his
roguish performance—he grins and leers and behaves like he hasn’t a worry in
the world. Cooper and Lancaster form a tenuous friendship fueled by greed—but
friendships like that never last, do they? Perhaps that’s why their characters
are drawn to each other is because they are so alike despite what’s on their
outside. After Ben saves Joe’s life, he proclaims, "You’re the first
friend I ever had," forshadowing their particularly unhealthy brand of
friendship. As they attempt to outwit each other during the span of the film,
their respect bonds them ever deeper. It is this rocky relationship that drives
VERA CRUZ. Cooper and Lancaster are not the only two shining stars in VERA CRUZ.
Cesar Romero is excellent as the Marquis Labordere. His performance is very
restrained, and much different than the Joker character that he is known for.
VERA CRUZ also features scheming performances from two lovely foreign actresses,
Parisian Denise Darcel and Spaniard Sara Montiel. Lancaster’s outlaw gang
consists of a young Charles Bronson, Ernest Borgnine, and Jack Elam.
SIGHT
MGM presents VERA CRUZ in the original widescreen
ratio of 2.00.1. The 16x9 enhancement makes for a sharp, colorful transfer. The
source print used by MGM is near immaculate; there is very little print damage
to betray the film’s 1954 origins. Grain is occasionally a problem. The image
absolutely radiates with Technicolor hues. The schemes are bright without
becoming oversaturated. Black level is deep and solid. The detail level is
superior, allowing the viewer to take in the authentic ambience of historical
Mexico. Ernest Lazlo puts a sheen and polish on the cinematography that really
allows the detail and color to burst forth. At times, watching VERA CRUZ is like
taking a travelogue throughout Mexico. The action sequences are magnificently
portrayed, including stagecoaches and lancers racing across the plains,
revolutionary war confrontations, and multiple gunfighter set-pieces. Despite
some grain and dirt on the source print, this is nice work from MGM.
SOUND
This is a good Dolby Digital Mono 2.0
presentation. Due to the age of source elements, there are a couple pops and
dropouts, but it never becomes a problem. VERA CRUZ contains many elaborate
action sequences that provide most of the films audio potential. The story takes
place during a Mexican revolution so you can hear the sounds of warfare—cannons,
gun fire, racing stagecoaches, and bare-knuckled brawling take center stage. The
only weak spot in the soundtrack is the dialog, which clips when the volume is
increased. The other sound elements (music, sound effects) do not break up at
increased volume levels. Hugo Friedhofer’s dated Western themes help draw the
audience into the world of the old West. Since the film takes place in
post-Civil War Mexico, this provides many opportunities for Fiesta and Salsa
music.
EXTRAS
The excellent theatrical trailer is as vibrant as the film
itself; it is full frame, mono, and runs 2:48
CONCLUSION
VERA CRUZ is an outstanding epic Western that
pushes the boundaries of the genre’s conventions, and set the stage for the
violent Westerns that followed. The acting and characterizations are another
reason why VERA CRUZ should not be missed. MGM’s long awaited Western Legends
DVD series looks very promising with the release of this film. Sure, some extras
would be preferable, but for this low price point, there’s really no
complaining. The transfer delivers the goods, and preserves the thrills of this
highly recommended Western.
VERA
CRUZ is available from DVDEmpire.com
Rating (out of 5):
| Movie: |
4.5 |
| Video: |
4.0 |
| Audio: |
3.0 |
| Extras: |
1.0 |
| Overall: |
4.0
|
- Phil
Chandler
BACK
TO REVIEW INDEX
|
|
 |