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| VAMPIRE
HUNTER D ( 80 mins) $29.95 |
| 1985 Urban Vision |
| Region 0 |
| Video: Full Frame (1.33.1) |
| Audio: Dolby Digital 5.1 (Eng);
DD 2.0 (Japanese) |
| Subtitles: English |
| Chapter Stops: 11 |
| Packaging: Keep Case |
| Theatrical Trailers |
| Documentaries |
| Image Gallery |
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Directed by Toyoo
Ashida |
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Produced by Hiroshi
Kato, Mitsuhisha Koeda, Yukio Nagasaki |
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Written by Yasushi
Hirano |
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Executive Produced by Shigeo
Maruyama, Yuteka Takahashi |
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Music by Noriyoshi
Matsuura |
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Character Designs by Yoshitaka
Amano |
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Art Direction by Toyoo Ashida |
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Photography Direction by Kinichi
Ishikawa |
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English Version produced by Carl
Macek |
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Japanese Voice Cast: Kaneto
Shiozawa, Seize Kato, Motomu Kiyokawa, Keiko Toda, Kazuyuki
Sogabe, Yoshiko Sakikibara, Kan Tokumaru, Michie Tomazowa,
Kazuko Yanaga |
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English Voice Cast: Mike
McConnohie, Barbara Goodson, Jeff Winkless, Edie Mirman,
Kerrigan Mahan, Steve Kramer, Steve Buten, Joyce Kurtz, Lara
Cody, Tom Wyner, Kirk Thornton |
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Toho Studio’s VAMPIRE HUNTER D was originally
released in Japan as KYUUKETSUKI HANTAAY D in 1985. Unlike most Anime
films that are based on Manga (comics), VAMPIRE HUNTER D is based on
Hideuki Kikuchi’s novel. Toho hired director/scenarist Toyoo Ashida to
head up their adaptation of Kikuchi’s novel. KYUUKETSUKI HANTAAY D was
well received in Japan, and the now defunct production company
Streamline Films picked up the English distribution rights. An English
VHS release was quickly issued, and soon VAMPIRE HUNTER D was showing up
on cable TV and regularly on the Sci-Fi Channel. As a result, VAMPIRE
HUNTER D is probably the single most-played English anime adaptation of
all time. Since the film has such a high profile, it is often credited
with turning outsiders on to anime. Being that such an important part of
Anime history has been overlooked on DVD, Urban Vision rectified that
with their special edition treatment. Urban Vision was late getting into
the DVD market, and their debut effort was suitably enough, VAMPIRE
HUNTER D.
The story takes place in the distant future, when
mutants and demons slither through a world of darkness. A young woman
Doris, daughter of a deceased vampire hunter, stalks a werewolf on the
grounds of Count Magnus Lee’s domain. The werewolf kills Doris’
horse, and the Count appears out of nowhere and puts the bite on her.
When Doris resumes consciousness, she and her little brother Dan head
into town, and along the way they meet the mysterious figure named D.
Due to his cold demeanor, Doris deduces that he is a vampire hunter. She
offers herself up to him sexually, to get him to go after the Count.
Doris knows she is tainted with vampire blood and will ultimately
transform into a vampire--unless a vampire hunter can kill the Count
then she can be cured of vampirism. D rebuffs her sexual offering, but
volunteers to help because of his code of honor. D, Doris, and Dan (all
Ds, isn’t that cute) head into town, where Doris is approached by
Greco, the spoiled son of the town’s mayor. Greco lusts after Doris
and offers up his resources to help kill the Count, in exchange for
sexual favors. She refuses his advances, and he treacherously screams
out to the town people that she was bitten by a vampire. The frightened
townsfolk quickly have their officials capture her. The mayor does not
harm her or put her in jail; instead he banishes her from the village.
Doris rounds up her brother and together with D,
they head for the faraway castle of Count Magnus Lee. The Count,
meanwhile, has made it his goal to mate with the virginal Doris. He
sends his proud daughter, Lamika, and a mutant called Rei to assassinate
the vampire hunter who is protecting Doris. They soon arrive at the
place where Doris is hiding to find D waiting for them. Lamika promises
a quick death for D and orders Rei to attack him. The vampire hunter
easily overpowers Rei, but the mutant uses his gift to manipulate
reality. D thrusts his sword deep into the mutant only to witness the
blade going through his own body. Famika and Rei laugh as D seemingly
perishes. But their laughs turn to fear as they witness D’s bloody
wound healing up before them. The rejuvenated D attacks the two, and the
resulting conflict causes Rei to loose his hand. In the confusion, D
gathers up Doris and Dan and they escape. Back
in the village, the jackal-like Greco locates a magic candle which is
lethal to vampires and plans to use it against the Count and his vampire
horde. Greco uses the candle against Lamika and she refuses to bow to
him. His plan backfires though, when Rei arrives to reclaim the candle.
Lamika and Rei take Doris back to the Count’s castle.
The Count hypnotizes Doris and has his servants
prepare her for a demonic wedding ceremony. Lamika is outspoken against
her father’s marriage to Doris, whom she considers a commoner. She
believes that allowing Doris into their family will mean the downfall of
the House of Lee. The Count is forced to restrain his daughter, who is
adamant about the situation. Then Rei shows up and demands that Count
Lee bestow upon him the prestige that the Count promised him. The Count
merely laughs at Rei’s demands and disregards him. By pushing aside
the two people loyal to him, the Count alienates his two most powerful
allies. The Count is unprepared when the Vampire Hunter D shows up to
challenge him for the freedom of Doris. The two unstoppable forces begin
a bloody battle that will decide the fate of this future Earth!
VAMPIRE HUNTER D is full of fearsome monsters,
intense violence, bloody gore, and nudity. Despite the cartoon
presentation, don’t ever let your kids watch this. This is extreme
animation for a 1985 production, and it hinted at a new genre of extreme
graphic content that would soon follow. I’m talking about those
sex-horror fests such as the UROTSUKIDOJI series or DEMON BEAST
INVASION. Despite the graphic intensity, there is a fair amount of
intelligence in the presentation of VAMPIRE HUNTER D. Young children
would not be able to keep up with the plot, either (so there is no
reason for them to watch this). The animation is cutting edge for 1985,
though obviously dated by today’s standards. Actually, I prefer the
smooth, detailed, and shadowy animation of VAMPIRE HUNTER D to the
generic OAV approach of a show like GENERATOR GAWL. The skin tones of
Yoshitaka Amano’s characters (especially the women) all exhibit a more
three dimensional and realistic appearance, due to the shadow
manipulation. The monsters are all excellently designed and animated as
well.
Though the plot is not very original, Toyoo Ashida
includes many twists and turns to keep the audience’s attention.
Ashida takes his time setting up the plot and characters. At times, the
script crosses over into a fantasy/horror epic and tries to establishes
ties with Bram Stoker’s most popular creation. The characters are
nicely developed and integrated into the story. None of the characters
are here for color, they all serve a purpose to the narrative. These
characters all have agendas and motivations, like real life people.
Secondary characters like Lamika and Rei are perfect examples of this.
Lamika is too caught up in her superiority complex, that she can’t
bear to allow an outsider into her family. Rei craves power and
position, and when the Count shuns his plea, Rei reacts in a very human
manner. The only character that does not reach his full potential is D
himself. He is very much the atypical loner hero, who would rather make
war than have sex (think if Clint Eastwood were a vampire). So D comes
off very emotionless, and thus sometimes boring (it didn’t help that
the voice actor sounded like a soft-spoken motivational speaker).
Like an old Universal horror movie, the plot is
motivated by fear. The villagers fear that Doris will turn into a
creature of the night, so they cast her out. D struggles to maintain the
balance between his vampire side and his human side; he fears that his
dark side may hurt people. On the other side of the coin, he fears he
may be falling in love with Doris. When Count Magnus Lee learns of the D’s
dark side, he fears D and orders his death. Lamika fears that Doris’s
commoner status will mean the end of the vampires nobility (which it
does). Despite traditional horror movie trappings, VAMPIRE HUNTER D
introduces some unique story elements, such as D’s relationship with
his symbiotic hand, which saves his life when even detached from his
body. The one story element that really makes VAMPIRE HUNTER D stand out
is the environment in which the film takes place. In this time and
locale, technology exists in the form of weapons. Yet people live like
simple villagers. Despite taking place so far into the future,
everything looks authentically like the 16th century. People dress like
16 century peasants, and drive around in horse-drawn buggies. The entire
film reflects a decidedly gothic look. Then D rides into town on his
completely robotic horse. Count Magnus Lee has some super-scientific
chambers in the bowels of his castle. Characters use laser powered
weapons to defeat monsters and beasts. These bizarre predatory monsters
are all over the place, from the Count’s shadowy domain to the simple
farm locations--death is everywhere. The combination of old world
sensibilities and futuristic technology make for an unusual and
fascinating canvas for the story to take place.
SIGHT
VAMPIRE HUNTER D is presented full frame
(1.33.1). Overall, the DVD presentation is very good, but like any animated film
of this era, the DVD transfer has a few imperfections. The dark print
used for the transfer is clean, but grain is everywhere. Its especially
noticeable because of VAMPIRE HUNTER D takes place in dark, cavernous
locales. Thankfully, the black level is perfectly calibrated, and
contrasts the actual bright colors. The
character animation is fluid and natural, superbly matched to the high
resolution imaging that DVD provides. The shadows and various shades of black
play an important role in the stark, brooding look of VAMPIRE HUNTER D, and
Laser Pacific's DVD
authoring perfectly captures the multiple shades of blue in the image. There
were a few instances of artifacting but other than that there are no
compression errors. The gothic futuristic landscape is pure eye candy,
and almost psychedelic in presentation. The animated monster creations
are astoundingly ugly and creepy. They are mostly in the shadows, but
that only enhances the gothic flavor. the human/vampire hybrid called D
spends half the movie slicing up monsters and slaying giants. These
scenes are always extremely graphic; Urban Vision's transfer preserves
the crimson blood flow and other assorted body fluids.
SOUND
VAMPIRE HUNTER D is a film
that relies heavily on sound effects, music, and ambience to place the
viewer in the proper frame of mind. Urban Vision delivers with a newly
remastered Dolby Digital 5.1 English soundtrack. The Japanese language track is
a solid ambient DD 2.0 mix, although the English track is superior because of the
increased bandwidth. The Japanese language track sounds better in only one
area--the Japanese dialog is more dominant than the English track (just
toggle back and forth between both tracks and you'll notice it, too).
The DD 5.1 soundfield features superior clarity and thrilling ambient
fill (remember this is a horror Anime), but lacks interesting
directionality and panning zones. The bass is also too low. There is no
distortion, drop-outs, or hiss in the mix. The English
dub can be annoying (especially with the vocals of D and Doris) though
its clearly a product of its time (the mid 80's). The music tracks are
expertly synchronized with the action and gothic elements, providing the
film with an atmospheric flair. The score, sound effects, and dialog blend
together perfectly in the mix. You can always count on Urban Vision to go all
out with their releases and include a DD 5.1 soundtrack.
FEATURES
From the Special Features menu, you can access
Urban Vision’s Website. You can view Yoshitaka Amano’s designs in a
short featurette. This mini-documentary includes a text-based talent bio
for Amano and shows black and white design work set to the music from
VAMPIRE HUNTER D. This featurette is Full Frame, DD 2.0, and runs 3:55.
You can also view the non-playable VAMPIRE HUNTER D video game for the
Playstation console. Next is the enjoyable behind the scenes documentary
called The Making of VAMPIRE HUNTER D. This is a studio produced effort
from 1985. It starts off with Toho’s press conference announcing the
film, then interviews director Ashida. Then Japanese voice actors talk
about their characters. The animation techniques are also covered. This
documentary is Full Frame, DD 2.0, and runs 9:54. There are also
trailers for these Urban Vision properties.
- VAMPIRE HUNTER D (original 1985 Japanese
language)
- WICKED CITY (English language trailer)
- PETSHOP OF HORRORS (English language trailer)
- GOKU MIDNIGHT EYE (English language trailer)
- WICKED SEVEN (English language trailer)
- VAMPIRE HUNTER D 2000 (English language
trailer)
The VAMPIRE HUNTER D 2000 trailer looks totally
awesome. It has the same gothical future look, yet the animation is
lifelike and smooth, the characters brilliantly rendered, and the
backgrounds are intricately detailed. Strangely, the trailer is in
English, so let’s hope Urban Vision will be releasing VAMPIRE HUNTER D
2000 soon.
CONCLUSION
VAMPIRE HUNTER D is an important
Anime release, and is therefore worthy of the special edition treatment afforded
by Urban Vision. VAMPIRE HUNTER D certainly may seem cheesy and dated by today’s
standards, but keeping in perspective the age and origins of the material, many
elements of VAMPIRE HUNTER D hold up well even today. It certainly delivers some
interesting characters and concepts. Horror fans and people into dark animation
should take a look at this film. Urban Vision went all out on this (their debut
release), and I believe the they will continue to put out high quality DVDs in
their future.
VAMPIRE
HUNTER D is available from DVDEmpire.com
VAMPIRE
HUNTER D: BLOODLUST is available from DVDEmpire.com
Rating (out of 5):
| Movie: |
3.5 |
| Video: |
4.0 |
| Audio: |
3.5 |
| Extras: |
3.0 |
| Overall: |
4.0
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- Darren Collette
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