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| SINBAD AND THE EYE OF THE TIGER
(114 mins) $27.95 |
| 1977 Columbia Tristar |
| Region 1 |
| Video: 16x9 Enhanced Widescreen
(1.85.1) |
| Audio: Dolby Digital Mono 2.0 |
| Subtitles: English, Chinese,
Thai, Korean |
| Chapter Stops: 28 |
| Packaging: Keep Case |
| Theatrical Trailers |
| Ray Bradbury Chronicles |
| Featurette |
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Directed by
Sam Wanamaker |
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| Written by
Ray Harryhausen and Beverly Cross |
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| Produced by Ray Harryhausen and
Charles Schneer |
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| Music by
Roy Budd
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| Cinematography by
Ted Moore
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| Art
Direction by Fred Carter & Fernando Gonzalez |
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| Special Effects by
Ray Harryhausen |
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| Starring
Patrick Wayne, Jane Seymour, Margaret Whiting, Patrick
Troughton, Kurt Christian, Taryn Power, Damien Thomas, and David Sterne |
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When SINBAD AND THE EYE OF THE TIGER was released in
1977, stop-motion animation was on its way out. Even the master, Ray
Harryhausen, would only do one more film, CLASH OF THE TITANS, in 1981.
Because of the film industry at the time, this final Sinbad movie would be
besieged by a low budget and a dwindling fan base. Producers’ Harryhausen
and Charles Schneer could not afford a proven director, so they hired actor
Sam Wanamaker to direct, even though his meager experience was mostly on TV
projects. Neither could they afford to have John Phillip Law return as the
swashbuckling Sinbad, so they ended up hiring the Duke’s son, Patrick Wayne.
The G rated film was lost amid the STAR WARS craze that year, but resurfaced
on home video (on VHS and Laserdisc) in the ensuing years. But never has the
film looked so good than on Columbia Tristar’s DVD release.
The film begins with the abortive coronation of Kassim
(Damien Thomas), and then switches to Sinbad (Patrick Wayne) and his crew
coming ashore after a year's voyage to find the town walls locked before
curfew. They are lured into the tent of a merchant, where Zenobia (Margaret
Whiting) mysteriously appears. She summons some demonic-looking skeletal
creatures with insectoid eyes to try and kill Sinbad and his men. They escape
and manage to evade the demons by toppling a pile of logs on them. Princess
Farah (Jane Seymour) shows up and Sinbad takes her back to his ship. She
informs him that her brother, Kassim, has been magically transformed into a
baboon, and none of the court doctors (or wizards) can reverse the spell.
The next day, Sinbad prepares to set sail to meet with
the legendary sorcerer Melanthius (Patrick Troughton). Zenobia (Farah's
stepmother) shows up to threaten them and find out what Sinbad's plans are. Her
son, Rafi (Kurt Christian), has fashioned a mechanical heart made out of gold,
which Zenobia places inside a bronze statue of a Minotaur (a mechanical
monster with the head of a bull and the body of a man). When it comes to life,
she names it Minaton, and orders it to power a mechanical ship by turning a
crank. They set off in pursuit of Sinbad, who has sailed off with Princess
Farah and Kassim in his baboon form. Without too much trouble, Sinbad locates
Melanthius (these sequences were filmed at the ancient abandoned city of
Petra, which is noted for its beautiful pink rocks). Melanthius tells them
Zenobia must be a powerful witch as he is unable to undo her spell. He advises
Sinbad to go to the legendary continent of Hyperboria, where there exists a magical shrine
powerful enough to return Kassim to human form.
Melanthius also warns this should be done as quickly as
possible because the longer Kassim remains a baboon, the more the more bestial
he'll become. In addition, if he is not crowned Caliph (ruler) in 7 months, he
loses the throne forever. Sinbad persuades Melanthius and his daughter Dione (Taryn
Power) to accompany them, and they all set off. To make up for time lost when
her mechanical ship was beached on some shoals, Zenobia uses some of her
remaining magical elixir to transform herself into a gull and flies to
Sinbad's ship, where she appears as a tiny version of her human self.
Melanthius captures her and discovers her tiny vial of elixir, but when he
tests it on a bee, it grows to the size of a pigeon and attacks him. In the
ensuing chaos, Zenobia frees herself, transforms into a gull and flies away.
However, some of her elixir has been spilled and when she transforms herself
back into her full size human form, one of her feet remains in the shape of a
gull's webbed foot.
After 4 months, Sinbad's ship reaches Hyperboria. Soon
as they leave the ship, a giant walrus attacks them. After it kills a
crewmember, it just jumps back into the water, never to be seen again. Next,
Sinbad and his friends encounter a Troglodyte. Melanthius persuades Sinbad to
drop his sword, to try and befriend this ancestor of man. Trog can't speak
English, but he responds to tone of voice, and he seems to have a rapport with
the baboon. By drawing a picture of the shrine in the dirt, Melanthius gets
Trog to point out the direction of the shrine, and he even leads them to it.
Trog also opens the shrine's huge door, saving Sinbad and his men valuable
time.
Meantime, Zenobia and Rafi have reached the shrine also.
Unable to find the entrance, Zenobia uses her magic to loosen some of the
pyramid's blocks, and the Minaton removes the blocks, but not before crushing
himself in the process. Inside is a magical whirlpool with a flickering blue
light and walls that are lined with colossal Egyptian statues. Melanthius
tells Sinbad the baboon must be put in a cage and swung through the blue
light. Before this can be accomplished Rafi tries to kill Melanthius and the
baboon bites him; they both fall down the steps leading up to the shrine, and
Rafi hits his head and dies. Kassim is restored to his human form by the
magical power of the blue light. While everyone's attention was on him,
Zenobia has infused her spirit into the guardian of the shrine, a Sabertooth
Tiger (which had been encased in ice). The Sabertooth breaks out of the ice
and attacks Trog, who is killed along with one of Sinbad's men. Sinbad fights
it with a huge spear, and when the Sabertooth jumps at him, he angles the
spear toward it. The Sabertooth is impaled on it, and then Sinbad gives it a
killing blow with his sword. The shrine, its walls having been breached by
Zenobia and despoiled by the blood shed, begins to crumble and everyone runs
and escapes in time. Kassim returns home within the 7 month deadline, and is
crowned Caliph. He rewards Sinbad with the hand of Farah in marriage.
SINBAD AND THE EYE OF THE TIGER certainly has some
problems in the areas of direction, script, and character development. Sam
Wanamaker does not have the skills of previous Sinbad directors (like Gordon
Hessler and Nathan Juran), and because of this, the film has a generic style
and tone. The script is basically a rehash of THE GOLDEN VOYAGE OF SINBAD (Sinbad’s
crew travels to a legendary place and locates a magical shrine), and
Harryhausen’s creations are carryovers from previous films. For example, the
Troglodyte is a rip-off of the Cyclops (from 7TH VOYAGE OF SINBAD),
the Minaton is a recreation of the golden Talos (from JASON AND ATHE
ARGONAUTS), and the Sabretooth Tiger could easily be mistaken for the Griffin
(from THE GOLDEN VOYAGE OF SINBAD). The last half of the movie is very
unevenly paced, and could result in even the most patient filmgoers becoming
listless.
Too bad Ray Harryhausen could not have animated Patrick
Wayne (Harryhausen’s creations have more personality than the bland Wayne
does). But even the character of Sinbad doesn’t have much to do this time
out, except for chauffeuring the cast around in his boat. It’s the rest of
the cast that actually moves the plot along, like a young and sexy Jane
Seymour as Farah. The character of Melanthius also is a centerpiece to the
narrative, and ex-Dr. Who Patrick Troughton fills that role perfectly. Let’s
not forget Margaret (UNDERWORLD INFORMERS) Whiting, who overacts in a highly
entertaining way, as the wicked Zenobia. Taryn Power is nowhere near as
talented as her father is, but damn she looks good in a toga!
SIGHT
Columbia Tristar releases SINBAD AND THE EYE OF
THE TIGER in the original widescreen ratio of (1.85.1). This 16x9 enhanced
transfer restores the fantastic visuals that Ray Harryhausen worked hard to
accomplish. Keeping in mind that this film is from 1977, Columbia Tristar has
done a great job with the transfer. Except for some dirt, speckles, and mild
grain, the image is rich and clean. The exotic colors are natural and vivid. The
flesh tones are fully saturated, and most of the cast all have that authentic
Arabian skin texture. The black level is solid, which contrasts Harryhausen’s
colorful creations. The cinematography and set design faithfully preserve that
mythological Middle Eastern look of the sets and costumes. Most of the animation
scenes look surprisingly good, except for the skeletal demons attack sequence.
These scenes suffer from some bad optical compositing (and a low budget).
Compare this scene to the brilliant skeleton attack sequence from JASON AND THE
ARGONAUTS (which was filmed over twenty year’s prior), and you’ll see how
poor (and cheap) this sequence looks. Other that that, Harryhausen’s other
creations, and the elaborate production design look great, with lots of detail.
There were no DVD mastering flaws such as bleeding, chroma noise, edge
enhancement or compression artifacts.
SOUND
Columbia Tristar serves up a prominent Dolby
Digital Mono 2.0 soundtrack. The mix delivers a sound that is very clear and
natural. There is no hiss, background noise, or audio dropouts. When you raise
the volume, there is no distortion. Of course, don’t expect any bass. Dialog
is crisp, and emanates from the center speaker. There is some great sound
effects here, including the grinding gears of the Minaton, the roars of the
Sabretooth, the warbling of the Troglodyte, the clanging of dueling swords, etc.
One wishes for an ambient stereo mix of some sort, but this two channel mix
works nicely. Composer Roy Budd tries hard to come up with a score similar to
Miklos Rozsa’s for THE GOLDEN VOYAGE OF SINBAD, but falls slighty short of
Rozsa’s awesome score. Budd’s themes combine contemporary orchestrations
with classical Arabian themes. Good work by Columbia Tristar.
FEATURES
Leonard Nimoy narrates the hour long documentary,
THE RAY HARRYHAUSEN CHRONICLES (ff, DD 2.0, 57:54) which examines the life and
career of the legendary fantasy filmmaker. Also is the THIS IS DYNAMATION (ff,
mono, 3:27) featurette. There are talent bios for Ray Harryhausen, Sam
Wanamaker, Pat Wayne, Jane Seymour, Margaret Whiting, and Taryn Power. Trailer
fans, rejoice! There are trailers for SINBAD AND THE EYE OF THE TIGER (ff, mono,
2:14), THE 7TH VOYAGE OF SINBAD (ff, mono, 1:46), 20 MILLION MILES TO
EARTH (ff, mono, 1:59), THREE WORLDS OF GULLIVER (ff, mono, 3:12), JASON AND THE
ARGONAUTS (ff, mono, 1:28), and EARTH VS. THE FLYING SAUCER (ff, mono, 2:15).
CONCLUSION
Though SINBAD AND THE EYE OF THE TIGER fails to
live up its predecessors, it is still an entertaining piece of work. None of Ray
Harryhausen’s productions have had tight scripts, well-defined characters, or
important themes. What they all have in common are Harryhausen’s inspired
creations, outstanding stop motion animation effects, and a real sense of the
fantastic. And SINBAD AND THE EYE OF THE TIGER delivers on this big time. Forget
those formulaic digital Hollywood blockbusters. You want adventure and escapist
fantasy? Enter the magical world of Sinbad. All Sinbad’s adventures are now
available on widescreen DVD thanks to Columbia Tristar home video. Let’s hope
they continue to release more Ray Harryhausen classics.
SINBAD
AND THE EYE OF THE TIGER is available from DVDEmpire.com
THE
SINBAD COLLECTION is available from DVDEmpire.com
Rating (out of 5):
| Movie: |
4.0 |
| Video: |
4.0 |
| Audio: |
3.0 |
| Extras: |
3.0 |
| Overall: |
4.0
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- Phil
Chandler
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