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LEGEND
OF A FIGHTER (1980)
Hong
Kong Legends
Directed by
Yuen Woo Ping
Produced by Ng See Yuen
Written by Liang Lee Ren, Yuen Woo Ping
Cinematography by Ma Gwan Hwa
Fighting Instructions by Yuen Woo Ping, Yuen Chiang Ren, Yuen Jen Chiang,
Yuen Er Chia
Music by Chow Fu Liang
Cast: Leung Kar Yan, Yauaki Kurata, Philipe Ko, Yuen Er Chia, Yuen Jen
Chiang, Li Jai Ding
Video:
Widescreen (1.77.1)
Audio: Dolby Digital 2.0 (Mandarin, English)
Subtitles: English
Packaging:
Keepcase
Chapter Stops: 30
Interviews
Theatrical Trailers
Talent Bios
In 1975, Shaw Brothers executive Ng See Yuen broke
from his former studio, and founded his own production company called
Seasonal Films. The studio’s first Kung Fu offering was the popular
SECRET RIVALS (starring John Liu and Hwang Jang Li) that quickly
solidified the studios position in the Chinese film industry. The studio
went on to produce INVINCIBLE ARMOR, NINJA IN THE DRAGON’S DEN, and the
inevitable SECRET RIVALS 2. With these credentials firmly in place,
Seasonal Films teamed with director Yuen Woo Ping and the famous Yuen clan
(a family known for their fantastic fight choreography)
to produce some small independent pictures you may have heard about called
DRUNKEN MASTER and SNAKE IN THE EAGLE’S SHADOW. In 1980, Seasonal Films
tackled an important Chinese historical martial arts drama called LEGEND
OF A FIGHTER, about real-life martial artist Yun Gap Fok. Two decades
later, U.K. based video company Hong Kong Legends (HKL) forms a
distribution deal with Media Asia, which includes the titles conceived by
Seasonal Films. In a very short time, HKL has become the last word in
Asian action pictures—no other studio can touch the quality of their
work and the amount of supplements. Most of the initial releases from HKL
are from the genre’s most popular icons, Bruce Lee, Jackie Chan, Jet Li,
Sammo Hung, etc. The only non-trendy title they have released so far is
LEGEND OF A FIGHTER.
LEGEND OF A FIGHTER features an incredible amount
of old school talent that even if you are not fond of the film, you can
appreciate the cast and the martial arts choreography of the Yuen family.
Leung Kar Yan top lines as respected Chinese martial artist Yun Gap Fok.
Leung Kar Yan was a fixture in old school Kung Fu pictures before joining
Sammo Hung’s circle of friends and going mainstream. He had key roles in
IRON MONKEY (1977), GREEN JADE STATUETTE, and THUNDERING MANTIS. Kung Fu
veteran Philip Ko plays his father, Grandmaster Fok. Philip Ko usually
plays villains as seen in MARS VILLA, DUEL OF THE SEVEN TIGERS, and 8
DIAGRAM POLE FIGHTER, but here he is not really a bad guy. Chances are if
a classic Kung Fu flick has a Japanese fighter, the character is played by
the great Yasuaki Kurata. Kurata is a Japanese martial artist who spent
most of his career in the Hong Kong film industry, and you can see him in
CALL ME DRAGON, RETURN OF THE DEADLY BLADE, and KUNG FU PUNCH OF DEATH.
Lee Ka Ting plays Sanaka, another top Japanese fighter who wants a piece
of Leung Kar Yan. Lee Ka Ting kicked ass in HAPKIDO, THE HIMALAYAN, and
END OF WICKED TIGER.
In
1901, China was being invaded from the combined armies of Japan, Russia,
Britain, Germany, and Austria. The land was being torn by the ravages of
war, and the excesses of the invading powers. The rulers of China, the
Ching Dynasty, were forced to seize vast tracks of land and four hundred
thousand tails of silver. During this period of great strife, a legend was
born. His name was Fok Yun Gap. When he was a young man, he wanted to
train under his father Grandmaster Fok (Phil Ko), but his father wanted
Yun Gap to be a scholar instead, so he hired a teacher, Chen Seng Ho (Kurata)
to tutor his son. The troubled youth Yun Gap quickly strikes up a
friendship with his new tutor. Yun Gap is unaware that the timid Chen Seng
Ho is actually a Japanese spy sent to steal secret Kung Fu training
techniques from his father. Still, Chen Seng Ho feels bad for his pupil
because his father refuses to teach him the martial arts. So, he offers to
train him in a cross-pollination of Karate and Kung Fu, which brings the
kid up to speed in no time. Suddenly, Chen Seng Ho informs Yun Gap that he
must return home, and his apprentice promises to keep practicing the
martial arts without the knowledge of his father.
Several years later, Grandmaster Fok is now an old
man who can no longer fight off the challenges of a rival school. One day,
during such an attack, Yun Gap saves his father from receiving a beating.
As Yun Gap works over his opponent, his father can’t believe his mousy
son has mastered self Kung Fu! Grandmaster Fok sees the error of his ways
and names Yun Gap as successor to the family school. With such a high
profile position also comes great responsibility. Yun Gap is soon
challenged by various foreign fighters including Maletov, a Russian boxer
and a Japanese Karate Champion, Sanaka (Lee Ka Ting). As Yun Gap
dispatches of these formidable opponents, he is more respected by the
people of China. But when Sanaka returns to Japan, he cannot live in the
shadow of defeat, so he commits suicide. In retaliation, the Japanese
issue Yun Gap a death challenge to be fought inside a local gymnasium in
China. On the day of the fight, Yun Gap and his entourage await the
arrival of Japan’s top fighter. Yun Gap is ecstatic when he sees his old
martial arts mentor Chen Seng Ho attend the duel. But Chen Seng Ho shocks
all in attendance by revealing that he there to kill Yun Gap. When the two
finally square off, Yun Gap has a difficult time coming to grips that he
is facing his mentor!
LEGEND
OF FIGHTER is clearly Yuen Woo Ping’s best old school film. It outshines
his other films from this period such as THE BUDDHIST FIST, DANCE OF THE
DRUNKEN MANTIS, or DRUNKEN TAI CHI. The humor is kept to an absolute
minimum, and the few humorous moments never intersect with the dramatic
elements. In fact, the humor seems almost tacked on—as though it was
added as an afterthought. Yuen Woo Ping keeps the tone light, and (for
once) presents a historical Kung Fu film that does not have a revenge
motive or high body count. Perhaps because the film is set during the
Chinese foreign occupation in1901, LEGEND OF A FIGHTER does not reflect
the savage tone of the Shaw Brothers epics. This movie is loaded with
impressive fight choreography, but it is not a violent movie. The plot
focuses on the progression of Yun Gap Fok as he scales the heights of the
Kung Fu ladder of success. There is no murder and mayhem, and the fights
just stop when one opponent is beaten. There is only one death in the
entire movie, and it is a suicide. Yuen Woo Ping ensures that the human
elements do not get lost in the dizzying blur of motion.
Leung Kar Yan gives a career performance as the
legendary Chinese martial arts practitioner. The same can be said for
Yasuaki Kurata. Those both these men are superb martial artists, their
acting ability outshines their combat skills—and even the English
dubbing can’t take away from this. In LEGEND OF A FIGHTER, each man is
the Ying to the other’s Yang, and Yuen Woo Ping takes full advantage of
this. In the first act, Yasuaki Kurata trains Yun Gap (Yuen Yat Chor) in
some whimsical scenes that endear both men to the audience. It is only
later; that when both men are on opposing sides that the tension between
them becomes unbearable. Yuen Woo Ping avoids depicting Yasuaki Kurata as
a villain, and as a result the climatic fight achieves a more realistic
tone. Since their confrontation is not a typical good guy vs. bad guy
showdown, this adds a healthy dose of authenticity to the whole affair.
Philip Ko is also good as Grandmaster Fok and his character runs the gamut
of paternal emotions. These underrated Hong Kong actors keep the drama
first and the action second, as it should be.
SIGHT
LEGEND
OF A FIGHTER was shot in 2.35.1. Hong Kong Legends apparently had some
problems restoring the original print, so they ended up presenting the
film in 1.77.1, with 16x9 enhancement. The result is a very cramped
cinematic canvas (something that classic Kung Fu fans are familiar with),
and while we are not happy with the cropping, the quality of the onscreen
image is flawless. Except for a couple scratches and some film grain,
LEGEND OF A FIGHTER appears smooth, colorful, and sharp. HKL spent a lot
of time cleaning up the source elements and remastering the video,
something we don’t see too often in this genre. The subdued color
palette consists of light blues, soft crèmes, and various tans. Skin
tones are very natural and black levels are perfect. Despite the slight
cropping, the fight choreography is captured without any of the action
going outside the frame. Even when the characters are delivering their
lines, everyone is seen inside the image (avoiding the phantom
conversation scenario). Aside from the aspect ratio problem, HKL’s
transfer of LEGEND OF A FIGHTER showcases one of the best restoration jobs
of an old-school Kung Fu film out there.
SOUND
Hong Kong Legends provides two discrete
soundtracks in Dolby Digital 2.0. Purists will certainly be happy with the
Mandarin dialog track. Others may prefer the English dub, which is
remastered for superior sound quality. Though both tracks are designated
as Dolby Digital 2.0, there is little surround activity. Mostly, it sounds
like they took the mono soundtrack and jazzed it up a bit. Everything is
forward heavy in the sound field. But the clarity of the sound is superb—no
hiss, background noise, or distortion of any kind. Composer Chow Fu Liang
produces an intense score with historical Chinese instrumentation. These
themes are prominent in the sound field, and provide an extra dimension to
the viewing experience. HKL did a great job restoring the original flawed
audio elements.
FEATURES
From the Special Features menu, you can access the
disc’s special features. For an overlooked old school film, there are
some impressive extras. There are detailed talent bios for Leung Kar Yan
and Yuen Woo Ping. The information scrolls down the screen and is actually
narrated if you prefer to listen rather than read. There is a photo
gallery that contains several color and black & white production
stills. You can view the U.K. promotional trailer or the original Mandarin
language trailer (which features scenes not seen in the film!). There is a
recent video interview with Leung Kar Yan where he discusses his career
and LEGEND OF A FIGHTER in particular. This is followed by a similar
interview with director Yuen Woo Ping. Both interviews are conducted in
Chinese with English subtitles. Then there is a trailer gallery for these
other Hong Kong Legends titles:
- FISTS OF FURY
- ONCE UPON A TIME IN CHINA
- ARMOUR OF GOD
- DRUNKEN MASTER
- THE BIG BOSS
- NEW DRAGON GATE INN
- BATTLE CREEK BRAWL
- IRON MONKEY

CONCLUSION
LEGEND OF A FIGHTER is a rare Kung Fu
movie with a brain and a heart. The story has some positive attributes,
such as learning life’s lessons and is a good example of how of how far
determination can take a person in life. The movie features some
break-neck fight choreography to go along with the plot, which is grounded
in reality more than your usual old-school efforts. The acting is way
beyond what you’d expect from a movie from 1980. The only negative thing
about LEGEND OF A FIGHTER is a few goofy characters and awkward moments,
but even these can’t take away from the power of LEGEND OF A FIGHTER.
The excellent DVD presentation by Hong Kong Legends is sure to spoil you,
and only makes me hope that some day another company will aspire to the
heights of HKL in presenting the true classics of Kung Fu cinema with such
quality and quantity (of supplements). We strongly recommend this flick
for those with Region 2 PAL compatible players.
-- Tony
Mustafa
| Movie: |
4.0
|
| Video: |
4.5
|
| Audio: |
3.0
|
| Extras: |
3.0
|
| Overall: |
4.0
|
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