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| THE KUNG FU COLT MASTER
(104 mins) $24.95 |
| 1993 Mei
Ah Laserdisc Corporation |
| Region 0 |
| Video: Widescreen (1.85.1) |
| Audio: Dolby Digital 5.1
(Cantonese, Mandarin) |
| Subtitles: English |
| Chapter Stops: 9 |
| Packaging: Keep Case |
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Directed by Wong Jing |
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This martial arts fantasy film was originally released in
1993 as KEI TIN TIU LUNG GEI JI MOH GAAU GAAU CHU, which translates to THE KUNG
FU COLT MASTER. The film features the martial arts skills of the current king of
HK cinema, Jet Li. Despite Jet Li’s presence, the film has suffered various
indignities (such as cut footage, re-edited sequences, and atrocious dubbing)
that have given the film a bad name in fan circles. Thankfully, China’s MEI AH
Home Video restores THE KUNG FU COLT MASTER to it’s original cinematic luster.
The film is directed by Wong Jing, who also directed countless Hong Kong genre
films such as LEGEND OF THE LIQUID SWORD, RAPED BY AN ANGEL 4, and GOD OF
GAMBLERS 2.
The film has a great cast. Besides Jet Li, the film
features Sammo Hung as the 100 year-old master, Chang San Fung, Danny (ROYAL
TRAMP) Chan as Sung Ching-Su. Man (SEMI-GODS AND SEMI-DEVILS) Cheung has a dual
role as Yan So So and Chao Min. The lovely Chingmy (NAKED KILLER) Yau is Jet Li’s
love interest, Siu Chiu. Ka Yan (CRYSTAL HUNT) Leung plays Sung Yuen Kin. The
hilarious Richard (WINNERS AND SINNERS) Ng portrays the King of Green Bat. And
Francis (A MAN CALLED HERO) Ng plays Chan Tsui San.
Two swords, the To Lung and the Yee Tin, each contains
one-half of an ancient scroll that holds the key to the ultimate secrets of
kung-fu. If any person was to obtain the swords and the scroll, they would be
the Supreme Master of Martial Arts. Alone, these supernatural swords are still
extremely powerful, able to lash out and cut through virtually anything the
wielder wishes. As you would guess, the swords are extremely valuable, and
because of this have caused wars between the various clans and religious sects
over the centuries.
Two groups of martial artists (each comprised of different
sub-sects) are at war with each other -- the Evil Sect (from Persia) and the
Shaolin sect. The Evil Sect is headed by two individuals: King of White Eagle
and King of Green Bat. Another master of the Evil Sect, King of Gold Lion,
befriends a man from the Shaolin Wu Tong clan. King of Gold Lion's daughter
eventually marries this man, and together they have a son named Mo-Kei (Jet Li).
In an effort to gain the To Lung sword which King of Gold
Lion has, the Chinese (Shaolin, Wu Shih, Master No-Mercy's nuns) band together
to hunt him. King of Gold Lion is blind and lives in hiding to protect the
sword. When the Chinese cannot find King of Gold Lion, they pressure Mo-Kei’s
parents to inform them where King of Gold Lion is hiding. In the process of
threatening and intimidating Mo-Kei’s parents, Mo-Kei is permanently wounded
and cursed by the Jinx Brothers. To save face, Mo-Kei’s parents kill
themselves to avoid betraying King of Gold Lion. Young Mo-Kei swears revenge on
those who pressured his parents into taking their lives (the Jinx brothers,
Master No-Mercy, and the other sect leaders).
Mo-Kei is taken in by his deceased father’s kung-fu
mentor, Master Fung (Sammo Hung). But Mo-Kei grows up unable to learn kung-fu
because the Jinx brothers have placed a curse on him (whereas he cannot practice
any martial arts or he becomes sick). Mo-Kei's cousin is given the task of
protecting Mo-Kei, since he is unable to defend himself (he's not too fond of
this). When the cousin is given a chance, he tries to beat up and maim Mo-Kei.
Luckily for Mo-Kei, a mysterious Evil Sect woman named Siu Chiu (Chingmy Yau)
comes to seek out Mo-Kei. Together they escape the Wu Tong encampment by falling
off the edge of a cliff. Mo-Kei’s corrupt cousin tells Master Fung that Mo-Kei
met his doom when he fell into a ravine, and Master Fung believes him.
In the bottom of the ravine, Mo-Kei and Siu Chiu meet up
with a monstrous living ball that is occupied by an old wizard. This old wizard
is an old enemy of Master Fung, who desires to make Mo-Kei into a worthy martial
artist to prove his superiority to Master Fung (who could not teach Mo-Kei kung
fu because of the curse). Using mystical powers, the old wizard breaks the Jinx
brothers’ spells and teaches Mo-Kei the ancient arts in a matter of minutes.
By mastering the old wizard’s Great Solar Stance technique, Mo-Kei is able to
learn any form of martial arts just by watching it. Mo-Kei begins his quest to
gain revenge for his parents and re-unite the feuding Evil Sect and Shaolin
Sects. Through the course of the film, he learns other forms of martial arts
including Magic Stance, Dragon Claws Shaolin Kung-Fu, and Tai Chi. By the end of
the film he is pretty much unstoppable, and takes on the purveyors of evil.
There is a lot of strange and violent images in THE KUNG
FU COLT MASTER:
- Mo-Kei’s father commits suicide,
sprays blood on his persecutors, then laughs at them as he dies.
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- During a big battle, Shaolin soldiers on
horseback ride over underground traps that cause steel spikes to shoot
out of the ground, taking out the horses in bloody fashion.
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- Mo-Kei is attacked by living vines.
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- Mo-Kei slams his opponent so hard
against a large metal bell, that the bell shatters!
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- The King of White Eagle sustains
multiple simultaneous sword hits to the body, bleeds a bit, then
removes the swords from his body and shrugs off his attackers!
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- One of Mo-Kei’s opponents jams a spear
though his hand, shredding it like bloody butter.
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- During a big battle, the Evil Sect
troops shoot sharp guillotine-like projectiles into the charging
attackers, decapitating most of them.
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- Master of No-Mercy uses her magical
sword to decapitate her opponents during the big battle.
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Jet Lee fans claim that this is their idol’s worst film.
I don’t believe that’s true. The problem with THE KUNG FU COLT MASTER is
that it features an unbelievably complex storyline culled from ancient Chinese
lore. Only the most hard-core historical martial arts fans can truly appreciate
(or keep up with) the narrative, without getting lost. The detailed story line
is similar to role playing games like Dungeons and Dragons. And there are way
more characters to keep track off than in most HK films. Like Dungeons and
Dragons, you just don’t play the game the first time and expect to win. The
more you practice, the better you get. So obviously, THE KUNG FU COLT MASTER is
not your average piece of Asian cinema. It strives to give more than just
hyper-action scenes; it lends itself to additional viewings to pick up on the
intricacies of the Chinese mythology and philosophy.
Another big criticism I’ve heard about THE KUNG FU COLT
MASTER is the overused wire-works that make the martial artists look
super-human. While I agree the wire-works are overused, you’ve got to remember
the martial artists in this film are indeed supposed to be super-human fighters.
THE KUNG FU COLT MASTER is not about "authentic" hand-to-hand combat;
it is a mythological, epic adventure/fantasy. Viewers who can only tolerate
old-school martial arts will be disappointed, and may want to look elsewhere.
Fans who appreciate supernatural elements with their swordplay and martial arts
cravings should seek out THE KUNG FU COLT MASTER.
Another thing that may leave a bad taste in the fans
mouths is the ending. The movie stops abruptly and leaves a lot of threads
hanging. Whether this was done purposely, or merely to leave a sequel option
open is unclear. Whatever the case may be, the ending leaves you looking for
more. No sequel was ever attempted. What the movie wraps, you are still hungry
for the great characters, the wonderful interaction, and the over-the-top stunt
scenes courtesy of Jet Li.
There are a couple problem areas with the movie. The
special effects work is inconsistent. While much of the effects are believable
(such as the bloodletting and dismemberments), other effects just appear plain
cheap (The attacking old wizard in the giant ball). I’ve never seen more
people throwing up blood than in this picture. The other problem with the film
is the pacing. There are so many stunts, fights, and rapid camera movements,
that the movie just goes too fast. You cannot stop to think, or take in any
details. It’s just fight after fight after fight. By the time the climax comes
around you are supposed to be impressed, but jaded is more like it.
The fight choreography is not the best I’ve ever seen,
but the stunt work is tremendous. Especially when you consider the sheer number
of stunts and battle scenes involving hundreds of extras. There were moments in
the film where I was reminded of the battle scenes from Kurosowa’s RAN. One
other remarkable aspect of the movie is the rapid-fire photography and angled
camera movements. The shooting angles used by the filmmakers would make Sam
Raimi proud. The wire-works scenes are used in conjunction with EVIL DEAD-style
camera work, making the film one continuous, zany, stunt show. One other big
plus to THR KUNG FU COLT MASTER is how it combines a serious struggle with some
slapdash humor. Not all the jokes work, but most of the offbeat humor registers
thanks to the comedic skills of performers like the riotous Richard Ng.
SIGHT
The widescreen 1.85.1 transfer looks generally
good, but it is not perfect. Mei Ah Video pulled an MGM; the transfer was
obviously mastered from their flawed laserdisc, and the DVD transfer suffers
from the limitations of the inferior LD format. For example, one of the biggest
problems is the English subtitles. These subtitles are burned right into the
print. Plus, the subtitles are in the picture information area (and too small to
read to begin with), and they go offscreen so you can’t finish reading a long
sentence. The subs are faded white, meaning if something in the transfer is
colored white (which is a lot), you are not going to be able to read the line.
This is not good for a film of this nature, because of the complexity of the
material. If you watch this film for the first time, and you miss even a few
lines of the opening exposition, you are going to be lost. So subtitles are key
for a film like this, and more attention should have been spent in this area.
Getting back to the picture quality, the image is good, but I want to point out
some problems. The first ten minutes of the film are unusually scratchy, giving
it the look of a 1970’s martial arts film. After this period, the image looks
decent and without defects to the source material. However, the transfer lacks
that glossy luster (like on the BRIDE WITH THE WHITE HAIR DVD), and you have no
idea this movie was made in 1993 (it looks a lot older). The detail level is
good, but it could have been a lot cleaner. Contrast and brightness are good
with decent shadow detail. The sharpness looks like it needs to be tweaked. The
colors appear a little muted, especially in night scenes. There really is not a
lot of vivid colors in the film. Everything has a sandy brown/yellow hue, which
is parlayed using some distinct and colorful back-lighting. And of course, grain
is a consistent problem. One of the film’s strengths is the bizarre camera
angles and rapid-fire photography, and these elements certainly look good on the
transfer. But these fast-moving scenes really don’t require consistent colors
or a high level of detail. The martial arts scenes, the big battle sequences
(with hundreds of extras), the outrageous stunt work, and even the special
effects are faithfully preserved on this transfer. Though the image is far from
perfect, my biggest complaint is the subtitles. But if you are a fan of HK
cinema, don’t let this subtitling problem put you off from buying or renting
this DVD.
SOUND
The Dolby Digital 5.1 soundtrack is surprisingly
good. Don’t expect LUCASFILM THX quality sound and directionality though. The
5.1 soundtrack is generally crisp, loud, and ambient; only the 5.1 panning
activity is a bit underused. The big surprise is the powerful rear soundstage.
The rears nearly overpowered the front soundstage, which is a little unusual.
The rear soundstage creates a lot of ambiance and realistic reverb for the many
temple, cave, and hall scenes. The only thing that is missing from the rear
soundstage is true 5.1 separation and panning. There were a lot of opportunities
for true 5.1 activity that the DVD authors did not take advantage of. The front
soundstage held its own as well, and was very powerful and full of separation
across the front soundstage. My only other complaint was that the bass was a bit
low, and got lost in this strong sound mix. The Cantonese/Mandarin dialog was
undistorted and emanated cleanly from the center speaker. THE KUNG FU COLT
MASTER is not a score-driven movie, but the traditional Chinese music sounded
good enough, though a little subdued. Like I said, the score is not a big part
of this movie and most of the time you’ll forget it’s there. Overall a very
crisp, ambient soundtrack, with some minor dynamic effects.
FEATURES
None. * Lack of extras brings the overall rating
down half a point.
CONCLUSION
THE KUNG FU COLT MASTER is a film that is mostly
written off because it is a mixture of complex Chinese lore/fantasy, outrageous
action and stunt work, kinetic visuals, and offbeat humor. Furthermore, Jet Li’s
critics have put down the film because of his increased usage of wire-fu. But,
the film is so over-the-top on every level, that the wire-fu does not even stand
out. While the film is guilty of many things, it has an intelligent storyline to
counter the eye-candy visuals. The end result is an that it succeeds in
entertaining because it is fun. THE KUNG FU COLT MASTER also boasts a great cast
including favorites Jet Li, Sammo Hung, and Richard Ng. The DVD is a little
disappointing because this is a rehashed laserdisc transfer, with poor English
subtitles. But if you are a fantasy film fan or a fan of Li or Hung, this is the
best the movie will ever look. Some extras would have been nice too, even if it
was merely the addition of trailers and biographies.
Rating (out of 5):
| Movie: |
3.5 |
| Video: |
4.0 |
| Audio: |
4.0 |
| Extras: |
0.0 |
| Overall: |
3.5* |
- Tony
Mustafa
This DVD is available at:

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