THE KUNG FU COLT MASTER (104 mins) $24.95
1993 Mei Ah Laserdisc Corporation
Region 0
Video: Widescreen (1.85.1)
Audio: Dolby Digital 5.1 (Cantonese, Mandarin)
Subtitles: English
Chapter Stops: 9
Packaging: Keep Case

 

Directed by Wong Jing


This martial arts fantasy film was originally released in 1993 as KEI TIN TIU LUNG GEI JI MOH GAAU GAAU CHU, which translates to THE KUNG FU COLT MASTER. The film features the martial arts skills of the current king of HK cinema, Jet Li. Despite Jet Li’s presence, the film has suffered various indignities (such as cut footage, re-edited sequences, and atrocious dubbing) that have given the film a bad name in fan circles. Thankfully, China’s MEI AH Home Video restores THE KUNG FU COLT MASTER to it’s original cinematic luster. The film is directed by Wong Jing, who also directed countless Hong Kong genre films such as LEGEND OF THE LIQUID SWORD, RAPED BY AN ANGEL 4, and GOD OF GAMBLERS 2.

The film has a great cast. Besides Jet Li, the film features Sammo Hung as the 100 year-old master, Chang San Fung, Danny (ROYAL TRAMP) Chan as Sung Ching-Su. Man (SEMI-GODS AND SEMI-DEVILS) Cheung has a dual role as Yan So So and Chao Min. The lovely Chingmy (NAKED KILLER) Yau is Jet Li’s love interest, Siu Chiu. Ka Yan (CRYSTAL HUNT) Leung plays Sung Yuen Kin. The hilarious Richard (WINNERS AND SINNERS) Ng portrays the King of Green Bat. And Francis (A MAN CALLED HERO) Ng plays Chan Tsui San.

Two swords, the To Lung and the Yee Tin, each contains one-half of an ancient scroll that holds the key to the ultimate secrets of kung-fu. If any person was to obtain the swords and the scroll, they would be the Supreme Master of Martial Arts. Alone, these supernatural swords are still extremely powerful, able to lash out and cut through virtually anything the wielder wishes. As you would guess, the swords are extremely valuable, and because of this have caused wars between the various clans and religious sects over the centuries.

Two groups of martial artists (each comprised of different sub-sects) are at war with each other -- the Evil Sect (from Persia) and the Shaolin sect. The Evil Sect is headed by two individuals: King of White Eagle and King of Green Bat. Another master of the Evil Sect, King of Gold Lion, befriends a man from the Shaolin Wu Tong clan. King of Gold Lion's daughter eventually marries this man, and together they have a son named Mo-Kei (Jet Li).

In an effort to gain the To Lung sword which King of Gold Lion has, the Chinese (Shaolin, Wu Shih, Master No-Mercy's nuns) band together to hunt him. King of Gold Lion is blind and lives in hiding to protect the sword. When the Chinese cannot find King of Gold Lion, they pressure Mo-Kei’s parents to inform them where King of Gold Lion is hiding. In the process of threatening and intimidating Mo-Kei’s parents, Mo-Kei is permanently wounded and cursed by the Jinx Brothers. To save face, Mo-Kei’s parents kill themselves to avoid betraying King of Gold Lion. Young Mo-Kei swears revenge on those who pressured his parents into taking their lives (the Jinx brothers, Master No-Mercy, and the other sect leaders).

Mo-Kei is taken in by his deceased father’s kung-fu mentor, Master Fung (Sammo Hung). But Mo-Kei grows up unable to learn kung-fu because the Jinx brothers have placed a curse on him (whereas he cannot practice any martial arts or he becomes sick). Mo-Kei's cousin is given the task of protecting Mo-Kei, since he is unable to defend himself (he's not too fond of this). When the cousin is given a chance, he tries to beat up and maim Mo-Kei. Luckily for Mo-Kei, a mysterious Evil Sect woman named Siu Chiu (Chingmy Yau) comes to seek out Mo-Kei. Together they escape the Wu Tong encampment by falling off the edge of a cliff. Mo-Kei’s corrupt cousin tells Master Fung that Mo-Kei met his doom when he fell into a ravine, and Master Fung believes him.

In the bottom of the ravine, Mo-Kei and Siu Chiu meet up with a monstrous living ball that is occupied by an old wizard. This old wizard is an old enemy of Master Fung, who desires to make Mo-Kei into a worthy martial artist to prove his superiority to Master Fung (who could not teach Mo-Kei kung fu because of the curse). Using mystical powers, the old wizard breaks the Jinx brothers’ spells and teaches Mo-Kei the ancient arts in a matter of minutes. By mastering the old wizard’s Great Solar Stance technique, Mo-Kei is able to learn any form of martial arts just by watching it. Mo-Kei begins his quest to gain revenge for his parents and re-unite the feuding Evil Sect and Shaolin Sects. Through the course of the film, he learns other forms of martial arts including Magic Stance, Dragon Claws Shaolin Kung-Fu, and Tai Chi. By the end of the film he is pretty much unstoppable, and takes on the purveyors of evil.

There is a lot of strange and violent images in THE KUNG FU COLT MASTER:

  • Mo-Kei’s father commits suicide, sprays blood on his persecutors, then laughs at them as he dies.
  • During a big battle, Shaolin soldiers on horseback ride over underground traps that cause steel spikes to shoot out of the ground, taking out the horses in bloody fashion.
  • Mo-Kei is attacked by living vines.
  • Mo-Kei slams his opponent so hard against a large metal bell, that the bell shatters!
  • The King of White Eagle sustains multiple simultaneous sword hits to the body, bleeds a bit, then removes the swords from his body and shrugs off his attackers!
  • One of Mo-Kei’s opponents jams a spear though his hand, shredding it like bloody butter.
  • During a big battle, the Evil Sect troops shoot sharp guillotine-like projectiles into the charging attackers, decapitating most of them.
  • Master of No-Mercy uses her magical sword to decapitate her opponents during the big battle.

Jet Lee fans claim that this is their idol’s worst film. I don’t believe that’s true. The problem with THE KUNG FU COLT MASTER is that it features an unbelievably complex storyline culled from ancient Chinese lore. Only the most hard-core historical martial arts fans can truly appreciate (or keep up with) the narrative, without getting lost. The detailed story line is similar to role playing games like Dungeons and Dragons. And there are way more characters to keep track off than in most HK films. Like Dungeons and Dragons, you just don’t play the game the first time and expect to win. The more you practice, the better you get. So obviously, THE KUNG FU COLT MASTER is not your average piece of Asian cinema. It strives to give more than just hyper-action scenes; it lends itself to additional viewings to pick up on the intricacies of the Chinese mythology and philosophy.

Another big criticism I’ve heard about THE KUNG FU COLT MASTER is the overused wire-works that make the martial artists look super-human. While I agree the wire-works are overused, you’ve got to remember the martial artists in this film are indeed supposed to be super-human fighters. THE KUNG FU COLT MASTER is not about "authentic" hand-to-hand combat; it is a mythological, epic adventure/fantasy. Viewers who can only tolerate old-school martial arts will be disappointed, and may want to look elsewhere. Fans who appreciate supernatural elements with their swordplay and martial arts cravings should seek out THE KUNG FU COLT MASTER.

Another thing that may leave a bad taste in the fans mouths is the ending. The movie stops abruptly and leaves a lot of threads hanging. Whether this was done purposely, or merely to leave a sequel option open is unclear. Whatever the case may be, the ending leaves you looking for more. No sequel was ever attempted. What the movie wraps, you are still hungry for the great characters, the wonderful interaction, and the over-the-top stunt scenes courtesy of Jet Li.

There are a couple problem areas with the movie. The special effects work is inconsistent. While much of the effects are believable (such as the bloodletting and dismemberments), other effects just appear plain cheap (The attacking old wizard in the giant ball). I’ve never seen more people throwing up blood than in this picture. The other problem with the film is the pacing. There are so many stunts, fights, and rapid camera movements, that the movie just goes too fast. You cannot stop to think, or take in any details. It’s just fight after fight after fight. By the time the climax comes around you are supposed to be impressed, but jaded is more like it.

The fight choreography is not the best I’ve ever seen, but the stunt work is tremendous. Especially when you consider the sheer number of stunts and battle scenes involving hundreds of extras. There were moments in the film where I was reminded of the battle scenes from Kurosowa’s RAN. One other remarkable aspect of the movie is the rapid-fire photography and angled camera movements. The shooting angles used by the filmmakers would make Sam Raimi proud. The wire-works scenes are used in conjunction with EVIL DEAD-style camera work, making the film one continuous, zany, stunt show. One other big plus to THR KUNG FU COLT MASTER is how it combines a serious struggle with some slapdash humor. Not all the jokes work, but most of the offbeat humor registers thanks to the comedic skills of performers like the riotous Richard Ng.

SIGHT

The widescreen 1.85.1 transfer looks generally good, but it is not perfect. Mei Ah Video pulled an MGM; the transfer was obviously mastered from their flawed laserdisc, and the DVD transfer suffers from the limitations of the inferior LD format. For example, one of the biggest problems is the English subtitles. These subtitles are burned right into the print. Plus, the subtitles are in the picture information area (and too small to read to begin with), and they go offscreen so you can’t finish reading a long sentence. The subs are faded white, meaning if something in the transfer is colored white (which is a lot), you are not going to be able to read the line. This is not good for a film of this nature, because of the complexity of the material. If you watch this film for the first time, and you miss even a few lines of the opening exposition, you are going to be lost. So subtitles are key for a film like this, and more attention should have been spent in this area. Getting back to the picture quality, the image is good, but I want to point out some problems. The first ten minutes of the film are unusually scratchy, giving it the look of a 1970’s martial arts film. After this period, the image looks decent and without defects to the source material. However, the transfer lacks that glossy luster (like on the BRIDE WITH THE WHITE HAIR DVD), and you have no idea this movie was made in 1993 (it looks a lot older). The detail level is good, but it could have been a lot cleaner. Contrast and brightness are good with decent shadow detail. The sharpness looks like it needs to be tweaked. The colors appear a little muted, especially in night scenes. There really is not a lot of vivid colors in the film. Everything has a sandy brown/yellow hue, which is parlayed using some distinct and colorful back-lighting. And of course, grain is a consistent problem. One of the film’s strengths is the bizarre camera angles and rapid-fire photography, and these elements certainly look good on the transfer. But these fast-moving scenes really don’t require consistent colors or a high level of detail. The martial arts scenes, the big battle sequences (with hundreds of extras), the outrageous stunt work, and even the special effects are faithfully preserved on this transfer. Though the image is far from perfect, my biggest complaint is the subtitles. But if you are a fan of HK cinema, don’t let this subtitling problem put you off from buying or renting this DVD.

SOUND

The Dolby Digital 5.1 soundtrack is surprisingly good. Don’t expect LUCASFILM THX quality sound and directionality though. The 5.1 soundtrack is generally crisp, loud, and ambient; only the 5.1 panning activity is a bit underused. The big surprise is the powerful rear soundstage. The rears nearly overpowered the front soundstage, which is a little unusual. The rear soundstage creates a lot of ambiance and realistic reverb for the many temple, cave, and hall scenes. The only thing that is missing from the rear soundstage is true 5.1 separation and panning. There were a lot of opportunities for true 5.1 activity that the DVD authors did not take advantage of. The front soundstage held its own as well, and was very powerful and full of separation across the front soundstage. My only other complaint was that the bass was a bit low, and got lost in this strong sound mix. The Cantonese/Mandarin dialog was undistorted and emanated cleanly from the center speaker. THE KUNG FU COLT MASTER is not a score-driven movie, but the traditional Chinese music sounded good enough, though a little subdued. Like I said, the score is not a big part of this movie and most of the time you’ll forget it’s there. Overall a very crisp, ambient soundtrack, with some minor dynamic effects.

FEATURES

None. * Lack of extras brings the overall rating down half a point.

CONCLUSION

THE KUNG FU COLT MASTER is a film that is mostly written off because it is a mixture of complex Chinese lore/fantasy, outrageous action and stunt work, kinetic visuals, and offbeat humor. Furthermore, Jet Li’s critics have put down the film because of his increased usage of wire-fu. But, the film is so over-the-top on every level, that the wire-fu does not even stand out. While the film is guilty of many things, it has an intelligent storyline to counter the eye-candy visuals. The end result is an that it succeeds in entertaining because it is fun. THE KUNG FU COLT MASTER also boasts a great cast including favorites Jet Li, Sammo Hung, and Richard Ng. The DVD is a little disappointing because this is a rehashed laserdisc transfer, with poor English subtitles. But if you are a fantasy film fan or a fan of Li or Hung, this is the best the movie will ever look. Some extras would have been nice too, even if it was merely the addition of trailers and biographies.

                                              Rating (out of 5):

Movie: 3.5
Video: 4.0
Audio: 4.0
Extras: 0.0
Overall: 3.5*

- Tony Mustafa

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