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INCREDIBLE KUNG FU MISSION (1982)
Crash Cinema
89 Minutes
Directed by Chang Hsin Yee
Produced by Wu Yu Yun and Lu Sun Fu
Cinematography by Chiang Yen
Fight Choreography by Robert Tai
Cast: John Liu, Alexander Lo Rei, Ricky Chen, Alan Chui, Robert Tai, Wong Chi San, Suen Lam, Wei Ping Ao

Video: Widescreen (2.35.1)
Audio: Dolby Digital Mono 2.0
Subtitles: None

Packaging: Keepcase
Chapter Stops: 9

In 1982, a large cast and crew traveled deep into the forest hills of Taiwan to film the martial arts epic THE INCREDIBLE KUNG FU MISSION. The production was headed up by Chang Hsin Yi, a former screenwriter of independent classics such as THE HOT, THE COOL, THE VICIOUS (1976), CHALLENGE OF DEATH (1980), and FATAL NEEDLES VS. FATAL FISTS (1980). Having proved himself an extraordinary martial arts screenwriter, the transition to the director’s chair was a natural one for Chang Hsin Yi. In addition to THE INCREDIBLE KUNG FU MISSION, he also directed LADY CONSTABLE (1978), SHAOLIN EX-MONK (1978), and STRUGGLE THROUGH DEATH (1981). Chang Hsin Yi casted the dexterous John Liu as the star of THE INCREDIBLE KUNG FU MISSION, and many other popular performers (like Alexander Lo Rei, Alan Chui, and Ricky Cheng) as Liu’s accomplices in the title mission. Taiwan-born John Liu was one of the pre-eminent martial artist performers on the independent martial arts scene of the 1970s. Liu possesses one of the most powerful and accurate high-kicks in the business. Liu starred in some of the best super-kicker movies of all time, such as THE SERCRET RIVALS (1976), INVINCIBLE ARMOUR (1977), and DEATH DUEL OF KUNG FU (1979). Alexander Lo Rei is one of Liu’s disciples in the film. Alexander Lo Rei catapulted to fame as the unbeatable hero in a string of Ninja-themed motion pictures. His credits include SHAOLIN CHASTITY KUNG FU (1981), SHAOLIN VS. NINJA (1983), and NINJA FINAL DUEL (1986). Robert Tai is the villain in THE INCREDIBLE KUNG FU MISSION, and also handles the fight choreography. Tai had small roles in several Shaw Brothers productions (where he served as action director): MASTER OF THE FLYING GUILLOTINE (1976), CHINATOWN KID (1977), and CHALLENGE OF THE LADY NINJA (1983). Crash Cinema, the only Region 1 content provider who goes through the trouble of securing actual film prints for their DVD, raises the bar ever-higher with this release, part of their new brand called The Pagoda Films Collection, which stresses high quality video and extra features.

Lu Ping (Robert Tai) is a ruthless Ming warlord who kidnaps a prominent Ching official and imprisons him inside his stockade. Mr. Lo, a friend of the official, hires martial arts mercenary Shu Shin Kang (John Liu) to rescue his associate from the Warlord’s well guarded prison camp. Mr. Lo informs Shu Shin Kang that he will need some back-up to take on Lu Ping’s private army. Mr. Lo introduces him to a squad of rag-tag renegades, who are brave enough, but lack sufficient martial arts skills. Knowing that his mission will depend on the abilities of those men, Shu Shin Kang decides to teach these reluctant pupils in the ways of war. The recruits each have their own inadequacies that prove to be a challenge for their new master. Each man has a special talent; for instance one is a brawny fighter, one is a juggler, one is a carpenter, and another one is a waiter who works at a brothel. The waiter and his comrades-in-training get into trouble with the unscrupulous types that hang around the brothel. The low lifes at the brothel mercilessly beat the tar out of Shu Shin Kang’s trainees. Hungry for revenge, each man now welcomes the teachings of Shu Shin Kang. Over time each man works hard and they soon transform into formidable fighters. When the time is right, they return to the brothel and like the old saying goes, "payback is a bitch". After the four fighters return the beating they received, Shu Shin Kang is confident they are ready to begin their secret mission. Lu Ping learns that the rebels are sending a cache of warriors against him, so he dispatches his soldiers into the surrounding territories to set traps for them. Shu Shin Kang and his team must travel through hostile territory, overcome the ambushes, and defeat Lu Ping’s soldiers if they are to accomplish their goal and rescue the Ching official.

After starting his career with some truly solid efforts (SECRET RIVALS, INVINCIBLE ARMOUR, SHAOLIN EX-MONK), John Liu’s once-promising career degenerated and he found himself working with hack directors like Godfrey Ho (DRAGON ON FIRE), and, Cheung Chi Chiu (FIGHTING ACE). Thankfully, one of his final martial arts movies, THE INCREDIBLE KUNG FU MISSION returns John Liu to his former glory. Screenwriter/director Cheung San Yee knows how to tell a story and capture it on film. Though essentially a retread of the Hollywood favorite, THE DIRTY DOZEN (1967), Yee manipulates the plot, characterization, and action quite well. THE INCREDIBLE KUNG FU MISSION has a trick ending that takes the viewer by surprise; just as you think you’ve witnessed the climactic confrontation, there is more revelations and more martial arts mayhem. This low, low budget affair has the appearance of a Shaw Brothers production (minus the studio interiors). Cheung San Yee initially plays the renegades (Alexander Lo Rei, Ricky Chen, Alan Chui, etc) as fools, inducing some comic moments. But once the recruits get serious about Kung Fu, the mood changes completely. John Liu plays it straight, of course, and commands respect with his performance. Robert Tai is equally effective as the baddie, and like the under-rated Tommy Lee, he proves that he can do more than just manage the choreography. The fights are very effective—natural and in realtime with no apparent speed-ups. The multiple fight scenes are filmed in full view of the camera, and not manipulated by heavy editing. Robert Tai also handled the choreography, so if you liked his work in THE CHINATOWN KID (1977), INVINCIBLE SHAOLIN (1978), SHAOLIN RESCUERS (1979), then you’ll dig what you see here.

SIGHT

THE INCREDIBLE KUNG FU MISSION is presented in the film’s original aspect ratio of 2.35.1. Contrary to prerelease information, the DVD does not feature 16x9 enhancement. But this is still a killer transfer, as far as old school standards go. The source material is so good that you have to wonder what sort of treasure trove Crash Cinema stumbled onto here. Its a major revelation that prints of this quality still exist. The image is perfectly delineated with utmost clarity and depth. The print exhibits no dirt, scratches, or other blemishes. Grain, which is a major issue with old school releases is barely noticeable here. Colors are rich and bright, with a full range of hues (greens, browns, blues, olives, etc.) that never bleed into one another. The black levels are calibrated to absolute perfection. There are no DVD authoring or compression errors in sight. The intricate battle scenes are presented fully intact with no zooming or scanning. You get the full impact of Robert Tai’s busy fight choreography. Even though the promised 16x9 enhancement is not present, our hat goes off to Crash Cinema for releasing their best looking transfer yet. I imagine the other releases in the Pagoda Films Collection look just as good.

SOUND

Crash Cinema presents THE INCREDIBLE KUNG FU MISSION in Dolby Digital Mono 2.0. This is a superior mono sound mix with none of the problems that plague VHS tape--no crackles, pops, or background noise. The highs and lows span the frequency range for a crisp and clear presentation. The martial arts sound effects exhibit depth and clarity, just don’t expect true stereo fidelity (because this is still just mono). The true weak spot of THE INCREDIBLE KUNG FU MISSION is the weak English dubbing. Though synched fairly well and easily audible in the soundtrack, the Australian and UK accents are sometimes ridiculous. Like almost all of John Liu’s films, the score sounds like a rehash of an old Spaghetti Western film. The sound effects, dialog, and music are seamlessly integrated for a superior Dolby Digital Mono 2.0 mix.

FEATURES

When I write reviews, I can usually skip right over the Extras section, because no companies include any worthy extras beyond a trailer, a Rap video, or an off-the-mark commentary track. Crash Cinema’s Pagoda Films Collection challenges me to explore their disc, and here is what I discovered:

The Extras menu contains a Photo Gallery with 14 color captures from the film. Another menu option here is Production Notes, a brief textual presentation about the filming of THE INCREDIBLE KUNG FU MISSION. There is a Trailer menu with two slickly-edited homemade trailers for THE INCREDIBLE KUNG FU MISSION, and Crash Cinema’s other Pagoda Films release, CANTONEN IRON KUNG FU (both trailers are shown in widescreen). From the Extra Fight Scenes menu, you can view a long fight scene from the Angela Mao vehicle, MOONLIGHT SWORD AND JADE LION. The other bonus fight is from the early Shaw Brothers epic, KING BOXER. Both clips are presented in widescreen as well. And finally, there is a well-researched Biography and Filmography section, that covers the careers of the higher profile stars like John Liu, Alexander Lo Rei, and Robert Tai. So while the extras are not overwhelming, they are well done and certainly more pleasing than DVDs from other companies.

XXX

 

CONCLUSION

Crash Cinema kicks off their Pagoda Films Collection with the perfect blend of characterization, intrigue, and superb martial arts action. The DVD gets a huge thumbs up just for the transfer alone, and the addition of the thoroughly entertaining extras put this one in a class by itself. This is just the first Pagoda Films release from Crash Cinema, and quality-wise and quantity of extras is even ahead of their usual high standards. This makes for exciting speculation for future Pagoda releases, which are bound to even get better over time. This initial wave of Crash Cinema’s Pagoda Films Collection are not perfect, but right now they set the standard.

Wild weapons clashes by Venoms choreographer Robert Tai!

 

INCREDIBLE KUNG FU MISSION is available from HKFlix.com

 

-- Tony Mustafa

Movie:

4.0

Video:

4.5

Audio:

3.0

Extras:

3.5

Overall:

4.5


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