.....
|
THE
HELL'S
WIND STAFF (1979)
World
Video/CAV
Directed by
Tung Wong
Produced by Hwang Yen Kwang and Tung Wong
Written by Teng Wei Shung, Tung Wong and Tu Liang-Ti
Music by Frankie Chan
Cinematography by Mwa Gwan Hwa
Cast: Hwang Jang Li, Meng Hoi, Meng Yuen Man, Bai Baio, Yeh Feh Yang,
Shu Shia, Kwan Young Moon, Liu He Liang, Lee Chuen Hwa
Video:
Full Frame (1.33:1)
Audio: Dolby Digital Mono 2.0
Subtitles: None
Packaging:
Keepcase
Chapter Stops: 8
Trailer
90 Minutes
HELL’S WIND STAFF (aka DRAGON AND THE TIGER
KIDS) was a breakthrough picture for one of it’s leads, Meng Yuen Man.
He went on to star in THE MASTER STRIKES, DAGGERS EIGHT, and TRILOGY OF
SWORDSMANSHIP, before a heart attack put him out of the martial arts scene
in 1981. HELL’S WIND STAFF also stars another Meng, Meng Hoi, a stunt
man and martial arts choreographer, who would
go on to a successful career in mainstream Hong Kong fare such as LEGACY
OF RAGE, YES MADAM, and HEART OF THE DRAGON. And of course HELL’S WIND
STAFF is famous for the presence of the great Hwang Jang Li. This Korean
martial arts champion has some of the best high-kicking skills in the
entire realm of Kung Fu, but sadly he got typecast as a villain. Still,
you can count on Hwang Jang Li to steal pretty much every scene he has
appeared in, overshadowing such co-stars as John Liu (THE INSTANT KUNG FU
MAN), Meng Hoi (BUDDHA ASSASSINATOR), Jimmy Liu (DRAGON’S CLAWS), and
even Jackie Chan (DRUNKEN MASTER). Hwang Jang Li gives it his all in HELL’S
WIND STAFF, and the movie is surely one of the best physical roles he’s
ever done. CAV and World Video knew they had a winner when they secured
HELL’S WINDS STAFF for DVD release on their classic Kung Fu series.
Dao
Wu, the nephew of a respected martial arts teacher, Master Wong, rapes the
daughter of another Kung Fu master. The father of the girl is naturally
pissed, and plucks Dao Wu’s eye out in retaliation. Out of respect for
Master Wong, the father leaves Dao Wu blinded, but alive. A dejected Dao
Wu joins an underworld organization, led by the insidious Lu (Hwang Jang
Li) and over a four-year span, Dao Wu becomes Lu’s top martial arts
enforcer. Meanwhile, two young Kung Fu students, Stone Dragon (Meng Hoi)
and Tiger Wong (Meng Yuen Man) stumble upon an underworld plot to provide
slave labor. Lu is the mastermind behind this plot, which is carried out
by a criminal gang called the Four Snakes. Tiger and Dragon beat the Four
Snakes, which prompts Lu to dispatch Dao Wu to Master Wong’s school,
where Tiger resides. Tiger is not at home, but Master Wong speaks up on
behalf of his son, and is killed by Dao Wu. Tiger and Dragon soon return
to his father’s school to find him dead. Tiger is devastated and is
quick to plot revenge. Dao Wu returns with Lu and his gang to kill Tiger
and Dragon. The two are helpless against such an onslaught, and barely
escape with their lives.
Tiger and Dragon head for the hills and hook up
with an crippled Kung Fu master, who has mastered the Dragon’s Claw
style. Legends say that only the White Dragon Fist form can beat Lu’s
Devil Stick style. Coincidently, the elder was crippled years ago in
battle with Lu, so the old master is more than happy to impart his
knowledge of Dragon’s Claw to his eager pupils. Tiger and Dragon undergo
an extreme acrobatic regimen to boost their skills and prowess. Then the
elder teaches them some anti-staff fighting techniques. The elder says
when they can collectively beat him, they shall be ready to fight Lu. But
a heartbroken Tiger cannot wait to get his revenge against Dao Wu, so he
sneaks out under the cover of night to face his hated opponent. He heads
into the village and confronts Dao Wu, and they fight till one of them is
dead. When Dragon discovers his comrade has gone to seek revenge, he heads
for the village to join him. En route to the village, Dragon discovers Lu
and his goons. Thinking that Lu may have already killed Tiger, Dragon
pitches himself into battle against Lu. Dragon easily beats Lu’s thugs,
but has a much harder time against their boss, who wields his unbeatable
wind staff. Just when it seems like Lu has Dragon in his sights, Tiger
arrives. The stage is set for the final showdown—but just when you
thought you’d seen it all, a mystery fighter enters the fray!
Though
comedy in Kung Fu films peaked with DRUNKEN MASTER, there were several
earlier efforts that paved the way for the success of Kung Fu and comedy.
HELL’S WIND STAFF was one such film. Director Tung Wong specialized in
combining both genres, but the comedy in HELL’S WIND STAFF is
(thankfully) rather restrained. The first five-minute scene that
introduces Meng Hoi and Meng Yuen Man is littered with humor, and then the
next 90 minutes is dead serious (with exception of a few light moments).
The comedy does not damage the drama or credibility of HELL’S WIND
STAFF, but it does create a schizophrenic feel. Meng Hoi and Meng Yuen Man
(along with Li Yi Min) are some unique players among the old school
pantheon of actors, because all these men have charisma and can make the
humor work when the script requires it. The plot is typical revenge fodder
that does not bring anything new to the genre, but interestingly the
script splits the typical protagonist character into two people (Tiger and
Dragon). Since the movies focuses on several characters and villains, HELL’S
WIND STAFF takes on the feeling of an ensemble epic, rather than the low
budget flick that it is. Much of the credit for the success of the film
can be attributed to the directorial craftsmanship of Tung Wong.
Credit
must also go to the Yuen Clan for providing the break-neck fight
choreography. If anything, the fights are so flashy that they tend to lack
realism. Both Meng Hoi and Meng Yuen Man are agile acrobats whose moves
are at times unreal. For instance at one point in the movie, Meng Hoi
repeatedly curls himself up into a ball and batters his opponent like a
bowling ball hitting a tenpin. In another great training scene, Meng Yuen
Man stands on his hands and uses his feet to move a stack of bricks
piece-by-piece. No cables or special effects here, it’s really Meng Yuen
Man doing it in real time and without any cuts. It’s a shame he had to
quit Kung Fu, as he certainly would have been a big star. Hwang Jang Li’s
high kicking talents are under-utilized here, due to the fact that he
fights with a staff through most of the movie. He does have one great
fight scene, where he knocks down three of his enemies (in slo-mo) with
one flying kick. Then Hwang Jang Li fights three-on-one during the final
showdown, which is guaranteed to leave you exhausted just observing it.
The fights and choreography are extremely violent. HELL’S WIND STAFF
features eyeball violence, throat-crushing blows, snake attacks, and
people falling into a pit of sharpened spikes. So despite the few light
moments in the film, the dark moments more than compensate.
SIGHT
HELL’S
WIND STAFF was originally filmed in the 2.35.1 aspect ratio.
Unfortunately, the transfer on this disc is cropped to full frame 1.33.1.
Some of the Yuen Clan’s fight choreography is truncated, but the tight
shots are still within the image. On the plus side, the source print used
for this transfer is in fairly good condition, with minimal dirt and
blemishes. The image is a bit dark and grain is prevalent, however the
picture is generally quite sharp. Black levels are perfectly calibrated.
Director Tung Wong eschews bright colors (like yellows and reds) for
darker ones like blues and browns. The bloodied victims of Hwang Jang Li’s
gang members produce the brightest red hues in the film. HELL’S WIND
STAFF is a very low-budget film with virtually no production design. All
the fighting takes place in the wilderness or on a couple of village sets.
The cinematography is not spectacular like the productions from the Shaw
Brothers, therefore the cropping does not quite hurt as much. Most of the
budget for HELL’S WIND STAFF went into the over-choreographed fight
sequences. CAV’s transfer preserves the strengths of HELL’S WIND STAFF
quite well.
SOUND
The soundtrack is Dolby Digital Mono 2.0.
Except for a few crackles and pops (due to the age of this film), the
audio is clear and precise. There is no hiss, background noise, or
distortion present in the mix. The sound is at times a bit tinny, but
still delivers the mono goods. HELL’S WIND STAFF contains a great deal
of fighting (and training) with staffs and other weapons. The sound
effects consist of the clanging of these magnificent weapons. The combat
sequences also produce a lot of yelling and groaning from both the beater
and the beated on. HELL’S WIND STAFF has a lot of characters to keep
track off, and many of them are sloppily dubbed, even by old school
standards. The usual flock of voice talent provides vocals for the
principals, but the peripheral characters have British and even Australian
accents. Composer Frankie Chan contributes a fine score, which
incorporates traditional Chinese stylings. Chan even manages to sneak in a
few jazzy strains that conform to the period setting of the movie. CAV
delivers a serviceable mono track for their release of HELL’S WIND
STAFF.
FEATURES
From the Main Menu, you can access the
Trailer sub-menu to view World Video’s trailer for the documentary,
JACKIE CHAN: INVINCIBLE FIGHTER. The trailer is widescreen 2.35.1, in
Cantonese with English subtitles, and runs 3:35. In the trailer, a
narrator discusses Jackie’s early career, while clips from those films
play in the background.

CONCLUSION
In the realm of Kung Fu fandom, it is
often said that a martial arts movie is only as good as its lead villain,
because he makes everyone else in the film (including the heroes) look
good. With all due respect to the stars, Meng Hoi and Meng Yuen Man, HELL’S
WIND STAFF is a vehicle for Hwang Jang Li's. Though his screen time is
limited compared to films like BUDDHA ASSASSINATOR, Hwang Jang Li fighting
has never been more controlled, more concise, and more intimidating than
in HELL’S WIND STAFF. His critics have always thumbed their noses at him
for his reliance on his high-kicking skills, but in this film Hwang Jang
Li demonstrates his efficiency with the other weapons in his martial arts
arsenal. So while his character loses the final battle, Hwang Jang Li
proves to be the real winner. Though HELL’S WIND STAFF has its flaws, it
is a good reminder of how Hwang Jang Li is quite simply one of the best
martial arts villains of all time. Of all the old school films at their
fingertips, CAV and World Video smartly selected HELL’S WIND STAFF as
one of their summer DVD releases. A commendable move from those two
companies, I must say.

Check
out the height on this kick!
-- Tony
Mustafa
| Movie: |
4.0
|
| Video: |
3.0
|
| Audio: |
3.0
|
| Extras: |
1.0
|
| Overall: |
3.5
|
HELL'S
WINDSTAFF Available at HKFLIX.COM
BACK TO
REVIEW
INDEX
|