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THE
GREEN HORNET (1966)
Brentwood
90 Minutes
Directed by Will Beaudine, Darrell Hallenbeck, and Norman Foster
Produced by
Richard Bluel and Stan
Shpetnel
Written by Jerry Thomas, Art Weingarten, Ken Peltus, Charles Hoffman
Cinematography by Gregory Sandor
Music by Billy May and Lionel Newman
Stunt Co-ordination by Gary Kent
Cast: Van Williams, Bruce Lee,
Wende Wagner, Lloyd Gough, Walter Brooke, Mako, Larry Mann,
Linda Scott, Tom Drake, Robert Strauss
Video:
Widescreen (1.85.1)
Audio: Dolby Digital Mono 2.0
Subtitles: None
Packaging:
Keepcase
Chapter Stops: 18
Back in the mid-sixties, the producers of the successful
TV series, BATMAN, decided to trot out another superhero franchise. Just like
BATMAN had flourished in early serials, comic books, radio shows, and pulp
novels, their newest hero, The Green Hornet, shared the same roots. With the
backing of Twentieth Century Fox, Van Williams and Bruce Lee (then a Kung Fu
trainer to the stars) were brought in to reprise the roles of the Green Hornet
and Kato, respectively. Although the show was considered a hot property when it
debuted, for various reasons the show never got beyond the opening season. Even
some guest appearances on the BATMAN show could not save THE GREEN HORNET. Even
more disappointing, was that the show was never aired again in syndication. When
Bruce Lee passed away at the height of his career, interest in THE GREEN HORNET
skyrocketed. In late 2000, Brentwood emerged on the DVD scene and released this Green
Hornet compilation (that originally played Hong Kong theaters) movie as one of their debut efforts—in widescreen no less.
For readers not familiar with the show, I just want to
provide some basic information. Many assume that THE GREEN HORNET show was just
a clone of the campy BATMAN show, but it was actually quite different. Although
they shared the basic concepts of two heroes who fight crime with the help of
high-tech gadgets and shrewd detective work, the execution was quite different.
BATMAN was very pop-oriented, with a dash of psychedelia and cavalcade of
larger-than-life villains in colorful spandex outfits. THE GREEN HORNET had no
established or continuing villains (perhaps this is why the show failed); the
Green Hornet and Kato simply fought organized crime and the ocassional twisted
genius. The show was much darker and grittier in style. It played more like a
tribute to the serials and radio shows of yesteryear. Also, whereas Batman and
Robin worked in tandem with the police, the duo of the Green Hornet and Kato
worked outside the law. The criminal factions all believe that the Green Hornet
and Kato were corrupt and out for themselves. At the end of every episode, the
duo would leave the scene before the police arrived to handle the clean-up. The
Green Hornet had only one police contact in District Attorney Scanlon, essayed
by Walter Brook. Green Hornet and Kato fought crime from behind the wheel of the
Black Beauty, a vehicle so loaded with weapons that it could make James Bond
envious. One other tidbit worth mentioning is Britt Reid’s truly gorgeous
executive secretary, Lenore Case (Wende Wagner), who is involved in Reid’s
secret world of heroism. Sure THE GREEN HORNET comes off a little cheesy today,
but this is because the show is so outdated. The series does not revel in its
campiness like BATMAN. The specter of Bruce Lee in the series set in motion a
number of implications that I will not go into here, but if you go back and
watch DRAGON: THE BRUCE LEE STORY, everything will become clear to you.
This TV movie version of THE GREEN HORNET is culled from
these 4 half-hour episodes:
The Hunter and the Hunted
Britt Reid (Van Willaims) is a millionaire who runs the
Daily Sentinel newspaper, and acts as General Manager to the DSTV television
station. Few know that Reid and his valet, Kato (Bruce Lee), are actually
underworld figures in the form of outlaw heroes, the Green Hornet and Kato. The
leaders of crime gangs are being assassinated by a mysterious organization. This
mysterious group is comprised of big game hunters who want to remove the crime
elements from the streets of the city. Because the Green Hornet is largely
thought of as a bad guy, the group make him their main target. The segment
concludes in the grounds of a large mansion where the well-armed hunters throw
everything they can muster at the Green Hornet and Kato.
Invasion from Outer Space Parts 1 and 2
Britt, Kato, and Lenore are gathered at their penthouse
hideaway, when a group of humanoid beings crash through the walls, and one
shapely female alien throws lightning bolts at Kato, immobilizing him. The
leader claims he is from another planet, and issues a list of demands to Britt
to keep his alien fleet from attacking Earth. Britt uses his TV station to
inform the city of the alien’s request. The alien leader takes Ms. Case as
hostage and leaves. The whole thing turns out to be a hoax, staged by the evil
atomic scientist, Dr. Mabuse (Larry Mann). This is really a huge smokescreen, so
Dr. Mabuse’s forces can intercept an atomic warhead transfer. The Green Hornet
and Kato begin their hunt to locate Lenore, who proves to be quite a brave
hostage. The duo must not only save her, but stop Dr. Mabuse’s evil scheme.
Praying Mantis
They saved the best for last. This segment focuses more on
Kato than the other episodes. The action takes place in Chinatown, where a group
of Chinese thugs terrorize local restaurants, and generally give Kung Fu a bad
name. This group is led by loose-cannon Lo Sing (a young Mako of CONAN: THE
BARBARIAN fame), a master of the Praying Mantis style of martial arts. Lo Sing
is working for a local crimelord, and their partnership is tenuous at best. When
Green Hornet and Kato investigate Chinatown, Lo Sing takes Kato by surprise and
injures him. Kato pledges to stop Lo Sing the next time they meet, but Kato must
control his temper when Lo Sing’s allies take a female restaurant worker
hostage. The Green Hornet comes up with a plan to force a confrontation between
Lo Sing and the kidnappers. And when the time is right, Kato can extract his
revenge.
It appears that when Fox compiled this TV movie, they
removed some extraneous footage to tighten the pacing. As a result, there are
some odd edits and transitions. The end effect is not like you are watching a
complete movie; it is more like you are watching a best-of compilation. The film
includes the classic opening title sequence that was used in the series.
However, the end credits include the cast and crew who worked on all four
episodes (so it’s not like they just tacked on the end credits from the TV
show). Given the time restrictions of a prime time action series like THE GREEN
HORNET, there was a lot of elements to setup, which did not allow for the
character development of Kato, or any other supporting characters. In the half
hour time slot that the show aired (minus commercials), the script had to setup
the story, the villains, the gadgets, the Kung Fu, and wrap the story up in an
appropriate manner. The Kung Fu scenes were intense, but very short, as none of
the hoods could keep up with Kato.
The dark opening segment, The Hunter and the Hunted is a
good introduction to the crime-fighting saga, as it depicts the weapons and
powers of the Green Hornet and Kato, and establishes the supporting characters
as well. The segment comprised of Invasion from Outer Space Parts I and II
include some of the more campy moments, since the visitors’ resemble the cheap
aliens from the worst episodes of the LOST IN SPACE show. This segment features
a strong villain character in the megalomaniacal Dr. Mabuse, essayed by Larry
Mann. Bruce Lee makes a fine Kato, but he is not given much to do, except drive
the Black Beauty and constantly save the hide of The Green Hornet. But in the
final segment, which takes place in the Chinatown area of a metropolitan city,
Bruce Lee is given more material to work with, but still does not allow him to
shine. This final segment also features the great Mako as Kato’s rival who
practices Praying Mantis-style Kung-Fu. But even Mako’s character is a coward
at heart and avoids confronting Kato in front of the residents of Chinatown.
Kato gets his revenge, but Bruce Lee never got his revenge on the executives
that canceled the show.
SIGHT
Brentwood releases THE GREEN HORNET in the 1.85.1
aspect ratio. Considering that this is a TV show, this is a welcome surprise to
see the action in widescreen. The 1966 series must have been filmed on film and
matted for TV (not an uncommon practice). Given the age of the series, this is a
decent transfer. The image is dark at times (to match the tone) and film grain
shows up throughout, as do some dirt, speckles, and scratches. This is
appropriate given the age of the source materials and the technology of the
time. The print imperfections come and go, but there are long stretches of time
where the image doesn’t exhibit any problems at all. The black level is rock
solid, contrasting the rest of the color schemes. The flesh tones are very
natural. Some of the colors appear slightly washed out in parts of THE GREEN
HORNET. But the contrast and brightness are perfectly balanced, allowing for a
pleasing image with good detail. Bruce Lee’s Kung Fu looks wonderful in the
widescreen cinematography. The production design is intended for a cramped TV
soundstage, so don’t expect expansive exterior or interior locations. The
costuming of the heroes, the aliens, and Lenore’s clothing are kitsch, and
look like they could have come from the cheesiest episodes of LOST IN SPACE, but
like that other Fox show, are full of charm. This is the first time we’ve
reviewed a Brentwood title, and we are impressed because this work is equal to a
company like Rhino or VCI.
SOUND
The audio is Dolby Digital Mono 2.0. The sound
has a full range of highs and lows, and is easily equal to the decent mono mixes
that Anchor Bay serves up so well. The mix has no hiss, background noise, or
audio dropouts. When you raise the volume, there is a slight distortion in the
dialog. But again, this is because of the limited sound recording technology
used back in the 60s. The car crashes, explosions, karate chops, or other sound
effects are clear and natural, though of course without any stereo separation.
You can tell these are the same musicians who worked on BATMAN, because the
music is similar. The compositions are not campy like on that other show, but
there is a certain ‘droning’ element in the music that conjures up the
feeling of a buzzing insect—very appropriate for a show called THE GREEN
HORNET. The music also includes some strains from the classic, Flight of The
Bumblebee. All the sound elements (dialog, sound effects, and score) are tightly
integrated, without one overshadowing the other. This Dolby Digital Mono 2.0 mix
is not spectacular, but it gets the job done nicely.
FEATURES
There is a photo gallery that pans through
production photographs, publicity stills, and mugshots of Bruce Lee and Van
Williams. This Photo Gallery runs 2:45 seconds and is accompanied by stock music
(in DD 2.0 Stereo). The highlight of the special features is a documentary
called THE BLACK BEAUTY. Instead of chronicling the GREEN HORNET show or the
stars, this documentary focuses on the one-of-a-kind vehicle driven by Kato in
the show. We see current owner Louis Binge recount the history of The Black
Beauty and how he came to own it. The Black Beauty was built by designer Dean
Jeffries for the show, and in the 1990s, Louis Binge hired Jeffries to restore
the muscle car, after it had completely rotted out. Binge goes on talk about the
secret weapons systems of the car that was used in the series, but unfortunately
the episodes on this DVD don’t utilize any of this weaponry. Brentwood also
includes a Bruce Lee Fight menu, that allows you to jump right to the 7 fight
scenes on this DVD. Brentwood includes some nice artwork for the menu systems
and employ some nice stock music to play over the menus. Although the feature is
Dolby Digital Mono, the menu music is a nice sounding Dolby Digital 2.0.

CONCLUSION
Brentwood’s THE GREEN HORNET DVD is fun viewing
for superhero fans, or anyone who enjoy the 1960s camp elements of AUSTIN POWERS
will surely get a kick out of this. The fight scenes were totally insane for the
times, though a bit tame today. Martial arts aficionados will be disappointed at
the longevity of these fights, but there are plenty of ‘em to keep you
entertained. Still, Bruce Lee admirers will be thrilled to see their idol in
action as his breakthrough character, Kato. Just don’t expect any high
intensity fights that we have to expect from him (its not his fault, the studio
was holding him back). Brentwood has made a good first impression with their DVD
presentation, menu systems, extras, and packaging, and hopefully this is a sign
of things to come from them. Perhaps they can get their hands on some more cult
titles or martial arts classics, and present them in widescreen (which is a must
for DVD), as they have done here.
-- Tony
Mustafa
| Movie: |
4.0
|
| Video: |
4.0
|
| Audio: |
3.0
|
| Extras: |
1.5
|
| Overall: |
4.0
|
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