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GOLGO
13: ASSIGNMENT KOWLOON (1977)
Crash
Cinema
Directed
by Yukio Noda
Produced by Callan Leung
Cast: Sonny Chiba, Callan Leung, Jerry Ito, Sue Shiomi, Koji Tsuruta
Video:
Widescreen (2.35:1)
Audio: Dolby Digital Mono 2.0
Subtitles: English, Cantonese
Packaging:
Keepcase
91 Minutes
Danny Lee look-alike Callan Leung
produced and starred in GOLGO 13: ASSIGNMENT KOWLOON, based on the popular
(and violent) Japanese manga. After the success of his acclaimed cop
drama, MAN ON THE BRINK, Leung established Callan Films and recruited
then-hot Sonny Chiba to play the coveted role of Dick Togo. Chiba’s
protégé Sue (SISTER STREET FIGHTER) Shiomi came along for the ride, but
even though she plays a pivotal role, her screen time is kept to a
minimum. This Hong Kong/Japanese co-production is helmed by Japanese
exploitation great Yukio Noda, who also directed SOUL OF CHIBA, GANGSTER
COP, and BRONSON LEE, CHAMPION. GOLGO 13: ASSIGNMENT KOWLOON is not really
a Kung Fu film, and is actually short on martial arts even for a Sonny
Chiba movie. It played in grindhouses during the 1970s before disappearing
into obscurity. The film never really surfaced on home video and Chiba fans
would have to obtain a copy through the video underground. GOLGO 13:
ASSIGNMENT KOWLOON was one of Crash Cinema’s initial forays into the
digital format and their only disc to include both Cantonese and English
versions.
A
Hong Kong drug tzar, Chu Lu Fung, is behind a series of mob slayings. The
Hong Kong authorities assign Inspector Smith (Callan Leung) to the case.
Meanwhile, Mr. Chu’s underworld rivals seek to drive the madman out of
business by hiring the best assassin in the world, Dick Togo (Sonny
Chiba), known by criminals and police alike as Golgo 13 (there’s a
biblical reference in there somewhere). The rival gang leader hires Togo
in Miami, and sends him to China to take out Mr. Chu, who also runs a
nightclub as a front for his illegal activities. Inspector Smith sends his
top female undercover officer Bin Lee (Sue Shiomi) to spy on the gang and
secure proof if possible. She sneaks into the gang’s headquarters and
grabs some evidence, but is intercepted by some goons on the way out. She
uses Karate to get away from her attackers, but no martial arts can
protect against bullets. Mr. Chu takes the wounded Bin Lee into custody.
When Mr. Chu hears that Togo is in Hong Kong to kill him, he orders his
men to search the city for him. Meanwhile, As Dick Togo prowls the streets
outside of the nightclub to plan the assassination, he witnesses a hooker
shoot her abusive pimp. She tells Togo that he raped her sister and drove the little girl to
suicide. Inspector Smith arrives, and the woman expects him to arrest her—but
Togo sticks up for her. The Inspector meets Togo for the first time, and
Togo explains the pimp was murdered by another attacker who escaped. The
woman thanks Togo for protecting her, but before he can reply, a cadre of
Mr. Chu’s enforcers jumps them. Togo uses street fighting techniques to
quickly dispatch the criminals.
Inspector
Smith discovers the location of Mr. Chu’s drug factory and leads his
police unit against Mr. Chu’s thugs, to rescue Bin Lee. The slimy Mr.
Chu himself tortures her, then uses her life to bargain with the police.
The resulting exchange of gunfire kills many on both sides, and Bin Lee
herself takes a bullet. Inspector Smith promises Mr. Chu that he will bust
his ass. Smith blinds one of the henchmen, causing him to accidentally
blow the factory sky high (and taking all evidence with it). Mr. Chu’s
beautiful but untrustworthy wife calls the police and informs them that
Golgo 13 is in town. It turns out that the Inspector and Golgo 13 have an
unresolved issue, even though he’s never met Togo. The Inspector must
now divide his attention between Mr. Chu’s gang and Golgo 13. Togo
learns that Mr. Chu is the guest of honor at a community outing (the
people think he’s an upstanding citizen) and decides to use this
opportunity to wipe him out. The police and gang members know that Togo
will attack then and prepare countermeasures. Togo finally has a clear
shot at the slimeball, but before he can pull the trigger, another unseen
sniper takes Mr. Chu out! Togo is enraged, and calls his employers and
threatens them for setting him up. His employers swear they have nothing
to do with it, and offer up another bounty to take out the mastermind
behind Mr. Chu’s death. Togo does some soul-searching and fights off
various assassination attempts on himself while tracking down leads.
The trail leads to a man named
Polanski (Jerry Ito), an American diplomat. Because of Polanski’s
political ties, Togo finds it difficult to get a bead on him. Instead he
follows Polanski to Japan. But Togo is aware that Inspector Smith himself
is tailing the assassin. Togo follows Polanski around Japan learning all
the can about Polanski’s illegal activities. Inspector Smith finally
catches Togo in his hotel room, and they play a game of cat and mouse—until
Togo escapes. Inspector Smith, Polanski, and Togo return to Hong Kong
unaware they are being followed. Polanski escapes to an impregnable island
fortress surrounded by the best mercenaries money can buy. Inspector Smith
finally traps his quarry, Dick Togo, but not before Togo unloads his
weapons on his accomplice—the same women he protected earlier. The
police try to interrogate him, but the man is not intimidated in the
least. Inspector Smith goes ballistic when his superiors order him to let
Golgo 13 go. After all, they have evidence that Mr. Chu’s death occurred
at the hands of another shooter. Inspector Smith gets to vent his
frustration when he learns of Polanski’s underworld activities. However,
Polanski’s diplomatic ties allow him to go untouched in the eyes of the
law. Both Golgo 13 and Inspector Smith descend upon the island to put
Polanski out of commission. But can they get the job done without stepping
on each other’s toes?
GOLGO
13: ASSIGNMENT KOWLOON is not really a martial arts film. Oh sure, Sonny
Chiba does his usual two-step Karate moves that incapacitate his
opponents, and Sue Shiomi gets to take out some thugs, but GOLGO 13:
ASSIGNMENT KOWLOON is really a cross pollination of cop drama and sniper
picture with a manga influence. Director Yukio Noda enhances this unique
combination by treading the line of sleazy exploitation. The end result is
a movie high on blood, death, nudity, assassinations, and low on martial
arts choreography (not that there’s anything wrong with that). Much of
Chiba’s screen time is dedicated to his sniper hits. However, the non
exploitation scenes that feature Callan Leung going after Chiba going
after Jerry Ito bring down the movie. Despite all the violence, shootings,
and nudity, the movie still has moments where it drags. There are some
moments of brilliance in GOLGO 13: ASSIGNMENT KOWLOON however, such as
when another assassin beats Golgo 13 to the punch. When the police arrest
Golgo 13, the interrogation affects the police more than it does the
prisoner. Another scene has a lethal lass seduce Golgo 13 until he
(seemingly) lowers his guard to allow another killer to shoot him. The
character of Dick Togo is unkillable and very interesting, like if James
Bond turned to the dark side. Chiba really excels in his performance of
the ultimate hard-guy, Dick Togo, but also brings the human element to the
character as well.
John Woo must have seen GOLGO 13:
ASSIGNMENT KOWLOON, because this movie is a blueprint for THE KILLER and
about a dozen other Hong Kong shoot ‘em ups. The way Sonny Chiba looks
down the barrel of his rifle is very similar to the way Chow Yun Fat does
it (only Chiba did years before). The relationship between Sonny Chiba and
Callan Leung is identical to the one between Danny Lee and Chow Yun Fat.
They all have their own code of honor, and it doesn’t matter what side
of the law they are on. Callan Leung doesn’t like Dick Togo, even when
he discovers that Togo wants to destroy the same crime syndicate
responsible for the death of Bin Lee. Sonny Chiba also shares a deep
relationship with the prostitute he saved from the police. Here Chiba
demonstrates his acting range and proves he’s more than just an
unfeeling killing machine. Jerry Ito, the main villain from Toho’s
MOTHRA (1962), once again plays a corrupt government official. Sue Shiomi
is only in the movie for about 10 minutes, but every frame of film she’s
in something interesting is happening. GOLGO 13: ASSIGNMENT KOWLOON has no
shortage of beautiful Chinese and Japanese women in skimpy outfits,
either.
SIGHT
The
English and Cantonese language are actually two different versions. Both
are in the original 2.35.1. ratio, with minimal picture information
running off the side of the screen. The Cantonese language version is the
better quality of the two. The English subtitles have a yellow tint, but a
really poor font that makes quick reading difficult. Plus, the subtitles
leak off the side of the screen. The English language version is
windowboxed, meaning the English subtitles are matted from the bottom of
the picture. This dictates that the lower portion of the image is missing
some real estate. Both versions suffer from nics, scratches, and film
grain, but nothing that classic martial arts fans are not used to. The
Cantonese version is slightly clearer and more colorful. GOLGO 13:
ASSIGNMENT KOWLOON features some impressive low-budget cinematography
including several shots of Hong Kong skyscrapers and Japanese temples. The
detail for these scenes is not the best. The police action, gunplay
sequences, and brawling setpieces are nicely preserved in the image. Flesh
tones are full, and the scantily clad women look all the better for it. If
the subtitles were easier to read, the transfer would rate higher.
SOUND
The soundtrack for both
versions of GOLGO 13: ASSIGNMENT KOWLOON are Dolby Digital Mono 2.0. The
Cantonese version features Cantonese-dubbed dialog which sounds decent
enough. In fact the entire Cantonese version has superior acoustics than
it’s English counterpart. It’s no secret that Crash’s early releases
has had problems in the audio department. The English dub on this disc
falls into this category. The English dialog (dubbed by the usual crew of
HK vocal artists) is buried in the mix. When you turn up the volume so you
can hear the dialog, background noise, hiss, and distortion is the result.
The sound effects (such as the gunshots, explosions, and martial arts
fights) are audible, though a bit flat and tinny. GOLGO 13: ASSIGNMENT
KOWLOON features a cool score, consisting of lounge music (for the
nightclub scenes) and some dramatic Spaghetti Western warbling. The music
is prominent and never distorts.
FEATURES
When you load up the disc, you are
prompted to select either the Cantonese or English language version. The
next menu that appears allows you to view the trailer or access chapter
selection. The trailer is in the original language (without subs) and in
widescreen (2.35.1) and runs 3:14. The trailer is in better condition than
the feature itself.
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CONCLUSION
Folks who are die-hard fans of Sonny
Chiba will delight seeing their hero in something different and fresh than
STREET FIGHTER XX. I’ve never read the original GOLGO 13 manga, but I
reckon if you are a fan of that you will be disappointed with GOLGO 13:
ASSIGNMENT KOWLOON. However, no one can deny how perfect Sonny Chiba is in
bringing Dick Togo to life. The movie is weak in many areas because the
producers just didn’t quite know what to do with the franchise. Crash
Cinema presents an impressive DVD package, notwithstanding the
questionable picture quality, of course (but at least it’s widescreen!).
It’s their only disc which offers Cantonese and English versions on a
single disc, and for that they are to be commended. You have to give Crash
Cinema their due, at least until someone else steps up and gives these
obscure classics the attention they deserve.

That
Dick Togo is a real lady killer.
-- Tony
Mustafa
GOLGO
13: ASSIGNMENT KOWLOON is available from HKFlix.com
| Movie: |
3.5
|
| Video: |
3.5
|
| Audio: |
2.0
|
| Extras: |
1.0
|
| Overall: |
4.0
|
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