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| GEN-X COPS (113
mins) $29.95 |
| 1999 Columbia Tristar/Media Asia |
| Region 0 |
| Video: 16x9 Enhanced Widescreen
(2.35.1) |
| Audio: Dolby Digital 5.1
(English, Cantonese); Dolby Digital
2.0 |
| Subtitles: English, French |
| Chapter Stops: 28 |
| Packaging: Keep Case |
| Talent Bios |
| Theatrical Trailers |
| Deleted Scenes |
| Documentary |
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Directed by Benny Chan |
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Columbia Tristar wasted no time in picking up this
acclaimed 1999 action comedy (originally called TEJING XINRENLEI) for domestic
release. It takes years for most HK films to reach these shores (DRUNKEN MASTER
II, for example), if they ever reach here at all. Perhaps because Jackie Chan
had a hand in the production (and cameos) in this film, the Columbia Tristar
marketing team feel they have additional leverage by placing Jackie Chan’s
name on the box cover. Or, there are clues that Columbia Tristar are coming to
their senses; consider the upcoming announcement of THE EMPEROR AND THE
ASSASSIN. GEN-X COPS is the brain child of none other than Benny Chan, frequent
collaborator of Jackie Chan (and no relation). Chan has directed other Hong Kong
action films (such as WHO AM I? and BIG BULLET) and is predicted to be the next
big director out of China.
GEN-X COPS features a slew of young, Asian talent
including Nicholas (A MAN CALLED HERO) Tse as rookie cop Jack. Steven (SUNSHINE
COPS) Fung is rookie cop Match. Sam (BEAST COPS) Lee plays shaggy rookie cop,
Alien. Eric (SUPERCOP 2) Tsang stars as goofy Inspector Chan. Daniel (PURPLE
STORM) Wu portrays turncoat Daniel. Grace (STREET ANGELS) Yip plays Y2K, and
Toru (BLUE TIGER) Nakamura is ultra-evil as Yakuza leader, Akatora. Lai Yiu
Cheung plays Inspector Tang, an arrogant cop who makes life difficult for our
heroes.
A renegade Yakuza leader named Akatora (Nakamura) forges
an empire for himself in Hong Kong. Akatora has his men seize a massive shipment
of deadly contraband that places all of Hong Kong at risk. Akatora also pushes
out the local gangs, led by a criminal called Dinosaur (Lam Ka Tung). Dinosaur’s
younger troubled brother Daniel (Wu) betrays Dinosaur to Akatora, in a bloody
shoot out. Soon the entire police force is on alert due to the shoot-out, and
the stolen contraband.
Inspector Tang (Cheung) is in charge of the stolen
contraband investigation, which the police believe is linked to the killing of
the gangster, Dinosaur. The police commissioner assigns Inspector Chan the task
of recruiting rookie police officers to work undercover on the case. The police
force has little faith in Inspector Chan’s ability, and give him this
recruitment task to keep him away from the stolen contraband investigation.
Inspector Chan travels to Hong Kong’s police academy,
and picks out three raw recruits, Jack, Match, and Alien. The trio are about to
be kicked out of the academy for criminal behavior. But this is exactly what
Inspector Chan is looking for: three young rookies who are familiar with the
criminal element so they can go undercover along side them. Inspector Chan
introduces them to Y2K, a daredevil female officer who handles operations for
their undercover scheme. Soon, Inspector Chan has the boys working alongside
Dinosaur’s brother Daniel, who now controls his brother’s criminal empire.
Daniel runs his brother’s nightclub operation, but is a
lackey for Akatora. When Daniel’s own gang tries to sell him out, Jack rescues
Daniel from his own people as well as the police. A police officer is shot in
the skirmish, and Inspector Tang declares the undercover rookies vigilantes,
which causes Inspector Chan to be removed from his own case. Jack accompanies
Daniel to the stronghold of Akatora, where everything comes to a head when
Akatora discovers that Jack is an undercover police officer.
Inspector Tang orders his men to storm Akatora’s
stronghold. Just as the policemen knock down the door, the entire structure
blows up, and Akatora escapes! Inspector Tang’s poor decision-making cost the
lives of many officers, and Inspector Chan is given control of the case, since
his boys are on the trail of Akatora. Akatora has moved his operation into a
gigantic exposition center on the Hong Kong harbor. As he prepares for the
unveiling of his mysterious scheme, Akatora plants a bomb in the exposition
center because he knows the Gen-X Cops are hot on his heels. The young cops must
battle Akatora and his corrupt forces and escape the exposition center, before
the bomb goes off!
GEN-X COPS is a big budget, rapid-fire action film with
ingenious criminal melodrama. The good and bad characters go from betrayal to
betrayal, making it hard to keep score (and remembering who is corrupt and who
is righteous). The script does not focus too long on any characters except Jack,
Match, and Alien. Even their comrade Y2K does not have much to do, so the three
boys get the most screen time. Despite the main players lack of acting
experience (Nicholas Tse, Steven Fung, & Sam Lee), together they prove to be
a lethal and entertaining presence. Plus, they are surrounded by a lot of
capable veterans in front of the camera (like Eric Tsang and Grace Yip) and
behind the lens (Benny Chan and Jackie Chan). Especially notable is Toru
Nakamura as the despicable Akatora; you will remember Nakamura’s cold, intense
performance for a long time.
The film unfolds in a swift, ensemble manner. The
narrative follows the police force, the Gen-X Cops, and the numerous criminal
factions, until all the plot threads intersect later in the film. The film moves
fast and does not let up until the last act. Benny Chan constantly gives the
audience something to latch on to, so there are no slow moments in the film.
This tends to have the opposite effect. By the time the picture is nearly over,
you are just so jaded to the constant action that it just does not effect you
any longer. But believe me, if you do get drawn into this jaded stupor, the
ultra-explosive ending with jolt you back to reality!
While GEN-X COPS has decent characters, an above-average
plot, and breathtaking action sequences, there is a major problem with the film.
Benny Chan’s screenplay is laced with humor that fails to deliver. The humor
is forced, and the script prompts the viewers to laugh. Sadly, the film was not
funny. Though Jackie Chan helped produce the film, he should have worked on the
script to flush out the humor. In fact, GEN-X COPS would have been a much better
movie if they dropped the humor outright, and concentrated on making the film
more gritty and realistic.
Luckily, Benny Chan makes up for this poor humor by
presenting a slick, glossy, epic look. The cinematography and production design
are outstanding, and make this film a winner. Chan hired the American special
effects duo of Sam Nicholson and Joe Viskocil to give this film the look of a
Hollywood summer blockbuster. Nicholson and Viskocil are responsible for the
effects work of thrillers like ASTEROID and ALIEN RESSURRECTION, respectively.
They do great work here, especially in the area of battle scenes and
pyrotechnics.
SIGHT
Columbia Tristar presents GEN-X COPS in a 16x9
enhanced, widescreen (2.35.1) transfer. The film has a glossy, Hollywood luster
that really shines on this DVD. The image is very sharp with excellent contrast
and definition. Colors are extremely vivid for a Hong Kong film. The blacks are
deep and perfectly calibrated. The dark night scenes are full of shadowy detail.
Not only does the film have superior cinematography, but also has great
multi-colored back lighting which makes even the dark scenes look gorgeous. The
bulk of the movie takes place outdoors, whether our heroes are traipsing through
downtown Hong Kong, parachuting off skyscrapers, or avoiding fireballs and
explosions. These scenes are brightly lit, and full of intricate detail. Benny
Chan is developing a slick, visual style (like THE MATRIX) that looks
unbelievable in the transfer, and I’m looking forward to seeing him progress.
The special effects are very convincing and are explosively rendered on this
16x9 transfer. The only negative thing I can say is that there is a few
instances of grain; but that’s it. There is no edge enhancement, aliasing,
color bleeding, or chroma noise. The stunt scenes rule this movie, and look
great on this DVD.
SOUND
There are two Dolby Digital 5.1 soundtracks on
this DVD. Both DD 5.1 soundtracks are the same except, one is for the original
Cantonese language, and the other is an English dubbed version. You can select
these sound tracks from the Audio Setup menu (along with the respective DD 2.0
versions), and both soundtracks rock! There is lots of activity in the sound
field. There is tremendous panning and separation between the left and right
speakers and the rear sound stage. The rear sound stage is active and
particularly lively during the gun fights, car chases, night club scenes, and
special effects scenes. The bass is super powerful and accompanies the many
pyrotechnics. When the bass is not needed, it is fairly quiet. The sound field
is crisp and clear with ambiance, and there is no hiss, dropouts, or distortion.
The dubbed English dialogue sounds natural and is limited to the center channel.
The dubbing is right on, and thankfully the voices are varied and never sound
like the same person. The score consists mostly of heavy metal and punk rock
music. I can’t stand punk music, but it is appropriate for the action
sequences of GEN-X COPS. It fits because this is Generation X music. The sound
effects, the score, the ambient effects, and the dubbing are perfectly
synchronized. A great sonic effort by Columbia Tristar.
FEATURES
Some of the best extras ever for a Hong Kong
action film. The only disappointment is the Talent Bio menu, because there is
only one entry, which is for Jackie Chan (and it looks copied from Columbia
Tristar’s WHO AM I DVD). From the Theatrical trailers menu, you can select the
GEN-X COPS trailer (2.35.1, DD 5.1, 1:20), or the trailer for Benny Chan’s WHO
AM I (full frame, DD 2.0, 1:40). The detailed, behind-the-scenes documentary
includes interview footage with cast and crew, music videos, trailers, and how
they accomplished the special effects. The documentary is full frame, DD 2.0,
and runs 38:30. Like the film, the documentary utilizes subtitles and English
dialog, depending upon who is talking. One of the best supplemental features is
the Deleted Scenes. There is an astounding 51 minutes worth of additional scenes
and alternative takes!!! These scenes are all letterboxed, English subtitled,
and in DD 2.0. The only bad thing about this feature is that they are not
chaptered, or selectable from the menu. If you want to see a particular scene
that is near the end of this 51 minute feature, you have to skip over the scenes
you don’t want to see.
CONCLUSION
Credit must go to Columbia Tristar for giving a
foreign film like GEN-X COPS a truly great treatment as far as
"Americanization" goes. Other DVD releases by studios such as Disney
(the Jet Li films), New Line (the Jackie Chan films), and Artisan (BLACK MASK)
have been "Americanized" (meaning cut footage, rescored soundtracks
with MTV-friendly rap and alternative music, English dubbed only). Not only does
Columbia Tristar do an outstanding job with the audio and video presentation,
but they do the best job yet of internationalizing for a DVD release that we’ve
seen. For one of the first times I can recall from a major studio, the original
language soundtrack (in DD 5.1) is included for the purists, and a decent
English dubbed version (in DD 5.1) too. There is even a menu to select languages
for the Deleted Scenes! Also, Columbia Tristar provides some great extras, for a
grand total of over 200 minutes of entertainment.
GEN
X-COPS is available from DVDEmpire.com
Rating (out of 5):
| Movie: |
4.0 |
| Video: |
4.5 |
| Audio: |
4.5 |
| Extras: |
3.0 |
| Overall: |
4.5
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- Darren
Collette
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