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| EAGLE'S CLAW
(120 mins) $19.95 |
| 1989 Tai Seng |
| Region 1 |
| Video: Widescreen (1.85.1) |
| Audio: Dolby Digital Mono 1.0 |
| Subtitles: None |
| Chapter Stops: 8 |
| Packaging: Keep Case |
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Directed by Tso
Nam Lee |
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Produced by Wong Feng |
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Written by Chang Hsing Yi |
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Music by Chou Fuk Liang |
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Cinematography by Chuang Ying Chien |
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Fight Choreography by Tommy Lee |
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Make Up by Kang Hoi Lun |
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Starring Don Wang, His Kuan Chun,
Chang Yu, Hwa Ling, Wang Kuai Sheng, Ko Shao Po, Yeh Ching Piao,
Shao Yao, Liang Wing Jen, Kao Fei, Ma Cheng, Lee Chien Min, Sze
Yuan Ken, Chu Pen Ko |
EAGLE’s CLAW (1978) was released in the wave of dubbed
martial arts films that filled North American cinemas during the late 1970’s,
and then resurfaced on syndicated networks as part of the Black Belt Theater
series. Most of the classic martial arts films shown on Black Belt Theater were
cheesy and poorly constructed movies. Occasionally, a worthy classic like EAGLE’s
CLAW could be seen. In the 1980’s when home video impacted the movie market, a
company called Ocean Shores snagged the rights to hundreds of these chopsocky
films and flooded the market with their pan ’n scan VHS atrocities. Well,
after all these years Ocean Shores has retained the rights to these films, but
seldom have they done them justice. In 2000, they partnered with Tai Seng to
release a budget DVD sub-line called Martial Arts Theater. Though the bulk of
these releases are shoddy pan’n scan transfers, EAGLE’s CLAW is worthy of
notice because it is presented uncut in its original widescreen ratio.
Don (NINJA THUNDERBOLT) Wang stars as Lee Cheh, the
hand-picked successor of the Eagle Claw martial arts school. Chi Kuan (THE
INVINCIBLE ONE) Chung is Chen Tsung, the traitorous student of the respected
Eagle Claw school. Yi (PRODIGAL BOXER 2) Chang portrays the villainous Chao Ma
Wu, master of the Praying Mantis style. EAGLE’S CLAW is directed by veteran
genre specialist, Tso Nam Lee, who is also responsible for Kung Fu classics like
EXIT THE DRAGON, ENTER THE TIGER, CHALLENGE OF DEATH, and THE HOT, THE COOL, AND
THE VICIOUS.
Chinese Kung Fu has a long history and many factions. Some
factions stress physical exercise, others stress improving the mind. Eagle’s
Claw Kung Fu stresses both. The style is based on the stalking and killing
techniques used by eagles to obtain their prey. Eagle’s Claw Kung Fu is
exclusive to one school. The master of this school is an old wiseman named Yun
Cheng. He has a bitter rivalry with an old opponent, Chao Ma Wu (Yi Chang), who
now holds an important position within the Ching army. The evil Chao Ma Wu is a
master of the Mantis Fist style, and is formidable with the Eagle’s Claw
techniques, too. Chao Ma Wu leads his disciples in a mission to destroy the Yun
Cheng’s Eagle Claw school. The two old masters immediately begin dueling, as
their students and disciples look on. After high intensity sparring, both men
stop fighting because they are damaged internally. Chao Ma Wu returns to his
palace, confident that his rival’s internal injuries will eventually kill Yun
Cheng.
Two of Yun Cheng’s top students, Lee Cheh (Don Wang) and
big brother Chen Tsung (Chi Kuan Chung) tend to their injured master. The old
one is near death, and in front of his entire school, he proclaims Lee Cheh his
successor. Lee Cheh is to marry Yun Cheng’s daughter (Hwa Ling), educate the
students, and carry on the good name of the Eagle Claw school. Yun Cheng gives
Lee Cheh an ancient book containing the oldest secrets of the Eagle’s Claw
techniques, including moves that have never been taught to anyone. However, Yun
Cheng’s oldest student, Chen Tsung, is bitter he did not get named as the
successor. After drinking too much liquor, he bursts in the door of his frail
master to question his judgment. The other students run in after him to find Yun
Cheng’s lifeless body in the arms of Chen Tsung. Lee Cheh accuses Chen Tsung
of killing their master. After Chen Tsung admits to the horrendous act, the
entire school proclaims him a traitor, which is punishable by death. But Chen
Tsung is a talented martial artist, and he fights his way out of the Eagle Claw
school.
When Chao Ma Wu hears that Chen Tsung has turned his back
on the Eagle’s Claw school, he schemes of a way to recruit Chen Tsung into his
own entourage. He sends his disciples to influence Chen Tsung, but the traitor
refuses the invitation. When Chen Tsung is forced to return to Chao Ma Wu’s
palace, the master of the Mantis Fist begins tempting Chen Tsung to turn him
fully to the dark side. Chao Ma Wu offers to teach him the secret of the Mantis
Fist technique, and in exchange Chen Tsung will help Chao Ma Wu to kill the
students of the Eagle’s Claw school. Furthermore, Chen Tsung will become the
new head of the school and run it according to Chao Ma Wu’s wishes. To prove
Chen Tsung’s loyalty, Chao Ma Wu captures three members of the Eagle’s Claw
school and forces Chen Tsung to kill them (he uses a knife to stab his old
school mates). Meanwhile, Lee Cheh has discovered this new unholy alliance and
their upcoming assault on their school. He begins teaching the students the
secret styles contained in the book of the Eagle’s Claw. But will the
remaining students learn the Eagle Claw’s secret techniques in time to stop
the combined forces of Chao Ma Wu and Chen Tsung?
EAGLE’S CLAW ranks as a must-see for fans of classic
Kung Fu movies. The plot and script are much better than the average chopsockey
flick. Screenwriter Chang Hsing Yi includes a fair amount of mystery and
intrigue into the script. He includes a twist ending that makes total sense, but
believe me, you won’t see it coming. The characters are more defined than
characters of this ilk. The script is nearly devoid of laughs, so don’t expect
any cheesy humor. For history buffs, Chang Hsing Yi also incorporates some
political commentary into EAGLE’S CLAW. Besides the rivalry between Yun Cheng
and Chun Ma Wu, these characters represent the two factions of China. Chun Ma Wu
wears bright red and he represents the Ching Dynasty (the corrupt government).
Yun Cheng and the Eagle’s Claw school represent the revolution (the people’s
rebellion). Another interesting theme running through EAGLE’S CLAW concerns
the traitorous character Chen Tsung. Chun Ma Wu is the true menace, and he lures
Chen Tsung into his organization like the devil himself. These scenes play out
like RETURN OF THE JEDI, where Luke Skywalker is tempted to join the dark side.
Chun Ma Wu lures the confused youngster into selling his soul and joining the
ranks of Chun Ma Wu’s disciples.
The movie opens with an excellent introduction that gives
the viewer a brief look at the Eagle’s Claw technique and the history of the
style. For the uninitiated, the Eagle’s Claw style is a real form that is
still taught today. Anyway, the introduction is great for viewers who are
strangers to the bizarre world of Kung Fu films. The fight choreography is
complicated and realistic thanks to fight choreographer, Tommy Lee. He is a true
master of the martial arts, and he has been in a slew of quality martial arts
films like THE HOT, THE COOL, AND THE VICIOUS. Lee is usually a villain in most
of his roles. Speaking of villains, Chang Yi should go down in the record books
as one of the slyest, vilest, and stylish Kung Fu villains of all time. Besides
being a slimebag, he’s very cerebral and larger than life, like a James Bond
villain. The entire EAGLE’S CLAW cast perform well enough, though much of the
acting is lost in the English translation.
SIGHT
Tai Seng releases EAGLE’S CLAW uncut in the
original widescreen transfer (1.85.1). Considering the age and type of film
EAGLE’S CLAW is, this is a pleasing transfer. The image is mainly smooth and
sharp. There are some imperfections though. The source print displays dirt,
scratches, and grain in the widescreen image. The good news is that these
problems are the result of inconsistent source prints, and not problems with the
authoring. The source flaws come and go, but there are long stretches of time
where the image doesn’t exhibit any problems at all. The black level is rock
solid, contrasting the rest of the color schemes. The flesh tones are very
natural. Some colors are a little washed out in parts of EAGLE’S CLAW. The
only other complaint I have is the detail level is not as good as it could have
been. Don’t get me wrong, there is plenty to enjoy in the widescreen
cinematography (besides the fighting), including the period production design,
meticulous costuming, colorful soundstage interiors, and the charming Chinese
maidens. The lead bad guy Chao Ma Wu is dressed in a colorful robe with awesome
boots, which instills a sense of terror in his opponents. Tommy Lee’s fight
scenes are a pleasure to behold. No wire works or trick moves, just authentic
Kung Fu, and plenty of it. The image is better than the widescreen martial arts
films from Crash Cinema (like RETURN OF THE CHINESE BOXER) and Steeplechase
(like THE FIVE DEADLY VENOMS). Except for the lack of detail, this is an above
average entry in Tai Seng’s Martial Arts Theater DVD line.
SOUND
The audio is Dolby Digital Mono 1.0. The sound
has a full range of highs and lows, and is easily equal to the decent mono mixes
that Anchor Bay serves up so well. The mix has no hiss, background noise, or
audio dropouts. When you raise the volume, the sound does not distort. EAGLE’S
CLAW is mainly dialog driven with the sound effects, the score, and the English
dubbed voices coming from the center channel. The dubbing is painfully obvious
but it shouldn’t bother Kung Fu fans. The other major component to the audio
mix is the sound effects. What classic martial arts film would be complete
without those exaggerated, bone-crushing blows, near misses, and leaping kicks
that sound like birds flapping their wings overhead? These sound effects sound
clear and natural, though a little flat. Chou Fuk Liang composes an excellent
score (for a Kung Fu film), that generates a lot of suspense. The score has a
very primitive vibe, with pounding drums and gongs. The score definitely
contributes to the authentic feel of EAGLE’S CLAW. All the sound elements
(dubbing, sound effects, and score) are perfectly synchronized in the
soundtrack, without one overshadowing the other. This mono mix is not
spectacular, but it gets the job done.
FEATURES
The only extra is a lame trailer compilation for
Tai Seng’s Martial Arts Theater. The trailer is Full Frame, Dolby Digital 1.0,
and runs 33 seconds.
CONCLUSION
This widescreen entry in Tai Seng’s Martial
Arts Theater line is clearly the best DVD to emerge from that line. The
narrative of EAGLE’S CLAW unfolds on a widescreen canvas, preserving the
martial arts action and the period visuals. The film itself is a quality effort
from director Tso Nam Lee. Despite the lack of star power, EAGLE’S CLAW has
superior quality on may levels including action, characters, plot, visuals,
score, and an unforeseen twist ending. Tai Seng’s video transfer is fairly
good, and we can only complain about the lack of extras. But this is a budget
DVD, so you can’t have everything. I would like to comment on the packaging
though. Both the menu system and DVD cover design are highly generic, and I
suspect Tai Seng uses both for all Martial Arts Theater DVD releases.
Rating (out of 5):
| Movie: |
4.0 |
| Video: |
4.0 |
| Audio: |
2.5 |
| Extras: |
1.0 |
| Overall: |
3.5
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- Tony Mustafa
EAGLE'S
CLAW is available from HKFlix.com
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