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DEATH
DUEL OF KUNG FU (1979)
Southern fist fighter Wang Tao and super-kicker
John Liu first appeared opposite one another in the 1976 epic, SECRET
RIVALS. Throughout all of the Ming dynasty, the Ching took over China. The Ming general Ching Cheng Kung fled to Taiwan where he carried on the battle, nurturing an army to lead against the Ching. In retaliation, the Ching sent out troops to capture him, dead or alive. Hsiun Chin Kwai (Wang Tao) is a Ming patriot working undercover among the Ching. He gains the trust of a Manchu official, then decapitates him right before the eyes of the Ching soldiers. The Ching Emperor assigns To Ku Yun (Han Ying) to oversee the Ching troops. The successor quickly deigns that Hsiun Chin Kwai be assassinated. To Ku Yun believes the troops are demoralized that an intruder could get to such a high ranking official, and orders the Ching forces to hunt down Hsiun Chin Kwai. So he goes on the run, turning back assassins and soldiers at every step. He is faithful to the Ming underground, whose goal it is to stop the Chings from crossing over the Formosa Straight. The Chings have established a presence in Taiwan, and the Ming underground are hoping to stop the invaders before they can reach the capital. The Chings have a spy in place to relay information back to the Emperor.
Besides the talents of the stars and the quality fight choreography, DEATH DUEL OF KUNG FU has a lot going for it. First of all, the screenplay is by I. Kuang, the Shaw Brothers writer who penned several Venoms classics such as FIVE DEADLY VENOMS, KID WITH THE GOLDEN ARM , and CHINESE SUPER NINJAS. Kuang’s script is full of political intrigue and historical relevance. If there is one flaw to the script, it’s that many of the fights have little or no motivation—the characters just fight at the drop of a hat. Cheung Kay’s assured direction gives DEATH DUEL OF KUNG FU a very Spaghetti Western feel (complete with Morricone sounding music). Cheung Kay delivers a confident narrative flow, that in less capable hands would surely come across as just another low-budget independent quickie. Instead DEATH DUEL OF KUNG FU is intelligent, mature, and well-paced. The director knows when to push the story elements and characters aside to let the creative fight choreographers do their thing. This film is violent with impalements, decapitations, and suicide (but no where near as bloody as the Venoms films). The make-up effects are not convincing by today’s standards, but keeping mind the 1979 vintage of the film, the make-ups are effective. DEATH DUEL OF KUNG FU also features some welcome female nudity, so don’t expect Jackie Chan-style kid friendly material here. SIGHT
SOUND The audio is Dolby Digital Mono 2.0. DEATH DUEL OF KUNG FU relies heavily on the audio, and Tai Seng’s two channel mono mix does not disappoint, except for one small detail. The audio is free from hiss, background noise, or other anomalies. Sound effects are clear and natural—you can hear every little nuance from the foley artists (and believe me, Kung Fu pictures are a foley artist’s worst nightmare). The exaggerated kicks, punches, and flips are perfectly captured. DEATH DUEL OF KUNG FU has a totally unique musical score. I cannot imagine another piece of music attached to this film. Composer Chen Shien Chi combines traditional Taiwanese melodies with classic Spaghetti Western themes. The music exhibits some solid high and low frequencies without any distortion. The dialog emanates from the center channel and has a slightly muffled sound. But the fights are so long and intense in this film, that it goes for long periods of time without any spoken dialog at all. Except for the clipped dialog issue, the soundtrack gets the job done nicely. FEATURES The only extra is a trailer compilation for Tai Seng’s Martial Arts Theater series. The trailer is Full Frame, Dolby Digital 1.0, and runs 33 seconds. The main menu navigation is pleasing, with animated loops that depict John Liu and Han Ying sparring.
CONCLUSION DEATH DUEL OF KUNG FU not only features some great performances and Kung Fu, but also has historical value and explores political motivations. John Liu, Han Ying, and especially Wang Tao help make DEATH DUEL OF KUNG FU rise above it’s low budget independent roots. I can safely say that this is Wang Tao’s best martial arts performance, even superior to THE HOT, THE COOL, AND THE VICIOUS. Tai Seng’s bare bones disc won’t overwhelm you with features, menu design, or flamboyant packaging, but the bottom line is that DEATH DUEL OF KUNG FU has never looked this good on home video.
Check out the height on John Liu's kick to the face!!!
DEATH DUEL OF KUNG FU is available from HKFlix.com
-- Tony Mustafa
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