CUT-THROATS NINE (94 mins) 
1972 EuroVista
Region 1
Video:  Widescreen (1.85.1)
Audio: Dolby Digital Mono 2.0 (English)
Subtitles: None
Chapter Stops: 8
Packaging: Keep Case
Theatrical Trailer

 

Directed by Jose Hernandez

Written by Santiago Moncada, Joaquin Romero Hernandez, and Jose Hernandez
Music by Carmelo Bernaola
Special Effects by Russell Shearman
Cinematography by Luis Cuadrado
Starring Robert Hundar, Emma Cohen, Manuel Tajada, Alberto Dalbes, Antonio Iranzo, Carlos Romero Marchent, Ricardo Diaz, Simon Arriga, Xan Des Bolas

CUT-THROATS 9 is a unique Spanish production that emerged from the era of Euro-Westerns (1965-75). The focus of the film is to paint a savage portrayal of the old West, and avoid the usual "good guys vs. bad guys" scenario. In CUT-THROATS 9, everyone is a bad guy! The film is also notorious for being the most gruesome Western ever filmed. Director Jose Hernanadez (real name Joaquin Luis Romero Hernandez ) set out to upstage Sam Peckinpah’s violent THE WILD BUNCH, and the result is quite bloody—imagine if Lucio Fulci directed a Spaghetti Western! Actually, Fulci did do a couple westerns, like FOUR HORSEMEN OF THE APOCALYPSE and THEY DIED WITH THEIR BOOTS ON. Jose Hernandez is the Euro-Western specialist who directed I DO NOT FORGIVE…I KILL, SEVEN GUNS FROM TEXAS, and ZORRO THE AVENGER. When CUT-THROATS 9 played American theaters back in 1972, the ad campaigns promised terror masks for anyone in the audience with weak stomachs. Today, the film is largely forgotten except by Euro-Western completists. EuroVista rescued this movie from obscurity and released it on DVD in early 2001.

Two military men are assigned to transport a chain gang through the harsh wilderness. Their stagecoach contains outlaws, rapists, and murderers. When a group of bandits receive a tip-off that the prison transport is carrying gold, they ambush the stagecoach. The startled horses guiding the stage coach lose control, and it rolls over. The military men are injured, but the prisoners are free. However, they can’t go anywhere because the convicts are chained together at the ankles. An Army Sergeant and his daughter traveling nearby come upon the scene. The Sergeant takes control of the chaingang at gunpoint, and forces them to begin the long trek to the prison. Along the way, the Sergeant brutalizes the convicts, and even goes so far as to jab one of them in the eye when he refuses to cooperate. The cold winter weather takes its toll on even the strongest people. The Sergeant eventually falters, and the prisoners are quick to overwhelm him. They burn him alive, and each take turns raping his daughter. Then they discover that the chain binding them together is made of gold. They realize they have duped, but vow to escape with the gold intact to split among them. Of course, as in any Western movie where gold is on the line, trust goes out the window. The convicts begin a deadly game where they attempt to form alliances and kill each other for the precious mineral. But its hard to trust your ally when he’s got a knife ready to stick you from behind!

CUT-THROATS 9 is essentially a tale of survival and greed. There are no heroes and no leaders-- it’s every man for himself. Alliances are forged, and then broken because none of these undesirables trust each other. Everyone conspires to kill the other to win the gold for himself. This makes for plenty of suspense as you await the next doublecross. Of course none of these characters are sympathetic, so you really do not form an attachment to anyone. Director Jose Hernandez works hard to give the film a cold, callous slant with a genuine sense of brutality and an aura of doom. Hernandez directs all the players exceptionally well. The convicts are all completely grimy, unshaven, with either crooked or missing teeth. Kudos to the Spanish make-up team who pulled this off, as they all looks so realistic (perhaps the actors are actual hill-dwellers?). The gore effects are also very realistically executed, that you’d think Giannetto Di Rossi himself had masterminded these make-up shots. People are roasted alive, stabbed, amputated, disemboweled, and strangled. Don’t forget about the few instances of eyeball violence.

What really makes CUT-THROATS 9 stand-out (besides the in-your-face gore), is that it is so different from it’s brethren. Most Spaghetti Westerns are essentially retreads of Sergio Leone’s films, or they are inspired by Sergio Corbucci’s DJANGO. These movies almost always depict a lone anti-hero on a quest of vengeance, as the result of wrongdoing on the part of the villain. But in CUT-THROATS 9, everyone is a villain. This motion picture is more like real-life because there are no heroes and everyone is out for themselves. There is no revenge motive in CUT-THROATS 9. Another distinguishing factor is the complete lack of gunplay. A Spaghetti Western without gunfights, you ask? This is another example of how CUT-THROATS 9 stands out in the genre.

SIGHT

CUT-THROATS 9 is presented uncut in the original widescreen ratio of 1.85.1. The source print used by EuroVista is serviceable. There is a fair amount of grain and blemishes in the image, but it’s very pleasing overall. The one weak spot to the transfer is the coloring, which is purposely dark to match the tone of the film (a brilliant move by Jose Hernandez). The cinematography is picturesque and detailed, but not colorful. The violent gore effects are very colorful though, and realistic. The action (such as the stagecoach crash) are perfectly rendered in the transfer. Black level is good. The convicts and other undesirables look very authentic in the shadowy film stock. All in all a satisfying effort from EuroVista.

SOUND

The sound is Dolby Digital Mono 2.0. Though lacking a bit in the area of sound effects (the gunshots are pretty weak) this mono mix is more than adequate for the film. There are a couple of pops and drop-outs in the presentation, but considering the 25+ year vintage of the audio elements there is very little to complain about. The audio is excellent during the elaborate stagecoach crash, and we hear the sound of frightened horses, cracking trees, and the stagecoach careening out of control. The English dubbing is occasionally grating, but fans of Eurohorror and Spaghetti Westerns will pick up on some familiar voices. Most Euro-Westerns depend heavily on their scores to attain that surreal cinematic feel, but Carmelo Bernaola’s falls slightly short of getting the job done. His music is not bad mind you, just a little repetitive and not too daring. Since CUT-THROATS 9 is not your typical Spaghetti Western, the music matches the ugliness of the film quite well. It won’t make you want to pick up the CD soundtrack afterwards, though.

EXTRAS

From the Main Menu, you can select the Special Features and view the Still Gallery and Talent Bios. There is also a German language trailer for CUT-THROATS 9. The highlight of the extras is the English language trailer which boasts of the Terror Masks handed out to the audience before seeing the show. I didn’t know William Castle was into Spaghetti Westerns!

CONCLUSION

CUT-THROATS 9 is one of the most-mean spirited and graphic Westerns we’ve ever seen. Never before has a movie had such contempt, not only for it’s own characters, but for the audience as well. Guaranteed to offend even the most completely jaded viewers. Not only is CUT-THROATS 9 recommended for fans of Euro-Westerns, but also those into extreme survivalist films. For such an overlooked cult item, Eurovista serves up a nice transfer and even throws in some nice extras including that hilarious U.S. trailer that promises terror masks to the audience! We desperately need more Spaghetti Westerns on DVD, and I applaud EuroVista for their foresight. After all, virtually every video company is jumping on the Eurohorror bandwagon, but this genre is being virtually ignored.

                                                     Rating (out of 5):

Movie: 3.5
Video: 3.5
Audio: 2.5
Extras: 1.5
Overall:

4.0

- Phil Chandler

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