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| BUDDHIST FIST
(90 mins) $19.95 |
| 1980 Tai
Seng |
| Region 0 |
| Video: Widescreen (1.85.1) |
| Audio: Dolby Digital Mono 1.0
(Cantonese, Mandarin, English) |
| Theatrical Trailers |
| Filmography |
| Packaging: Keep Case |
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Directed by Yuen Wo Ping |
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This 1980 martial arts film was originally released as FO
ZHANG LUO HAN QUAN. What separates this film from the countless others released
from this era? It is directed by Yuen Wo Ping, better known as the action genius
responsible for the martial arts stunt work from THE MATRIX. And Tai Seng doesn’t
hesitate to name-drop and capitalize on the success of THE MATRIX (just check
out the packaging on this DVD!). This hype is justified however, because Yuen Wo
Ping pretty much pioneered the whole cable-fu genre (much to the chagrin of
many) single-handedly. THE BUDDHIST FIST was previously released on DVD by Xenon
Entertainment; their print of the film was also taken from a respectable
widescreen print (which was taken from a PAL master licensed from the U.K. video
company, Made in Hong Kong). However, Xenon's DVD does not have the original
Cantonese and Mandarin language tracks or the extras that Tai Seng's version
has.
On the DVD scene, Tai Seng has been making a name for
themselves by importing some great DVDs over from Hong Kong, and releasing a
budget DVD line consisting of recent and classic HK titles. This budget line has
been something of a disappointment, mainly because the DVDs have all been full
frame, with English dubbing only. With the release of THE BUDDHIST FIST, Tai
Seng makes a giant step forward. This DVD is the first title in their budget
line that is letterboxed, and includes alternate bilingual languages to go along
with the English dub track. Hopefully, this is the start of something big for
Tai Seng, which they can develop into a successful line of classic widescreen
martial arts DVDs (which would be a boon to fans everywhere).
The movie stars Yuen (DREADNAUGHT) Shunyi as the confused
Ha-Sien, a young man looking for his missing grandfather. Shunyi was a capable
martial artist who never hit it big. Gordon (SHAOLIN MASTER KILLER) Liu is the
real star of this film, even though he is not the hero. He plays Ah Sheng’s
life-long friend Si Ming, a Shaolin monk. Like every classic martial arts film,
there is a wise old kung fu master in the film played here by Yuen (DANCE OF THE
DRUNKEN MANTIS) Chun-Wei. San Kuai plays the deformed hunchback assassin, named
Liu Chow Mu. This movie was filmed by the talented Yuen Clan who were
responsible for classic martial arts films such as the original DRUNKEN MASTER,
SEVEN GRANDMASTERS, and BORN INVINCIBLE.
When Ha-Sien was a young boy, he was often beaten by
bullies. One day, a bald kid named Si Ming pulls the bullies off of Ha-Sien, and
introduces the boy to the martial arts. Over a decade later, Ah Sheng is all
grown up, and is now a talented martial artist, thanks to an old Shaolin master.
Si Min (Gordon Liu) is also a star pupil and is an accomplished Shaolin monk
(also serving under the old master). The old one has taught Ha-Shien and Si Ming
one half of the deadly Buddhist Fist technique. Ha-Sien returns to the Shaolin
temple after being away for many years, and he is disturbed to find that that
his old grandfather has been missing for over three months.
One night, a thief in a black mask sneaks into the Shaolin
temple, and tries to steal the sacred Jade Buddha. The masked thief sneaks away
without the artifact, but returns to wreak havoc on temple residents. Meanwhile,
a shadowy character hires some assassins to take out Ha-Sien, including hotel
owner Boss Chen (Simon Yuen), and a hilarious hunchback, Liu Chow Mu! Ha-Sien
must overcome many obstacles (including assassins and the masked thief), to find
out whether his grandfather is alive or dead—and to find out who is
responsible for the old one’s disappearance.
There is a lot of stuntwork and a high body count. Here is
a brief description of some of the mayhem:
- A young woman is strangled by an unknown
assailant.
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- Hunchback assassin Liu Chow Mu silences
his victims by using his "Holy Goose Claw" strike.
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- Boss Chen takes a sword-like weapon and
uses the sharp blade to impale a young woman.
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- Two of Liu Chow Mu’s assistants get
skewered by arrows when they stumble into a trap meant for Ha-Sien.
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- Ha-Sien impales Boss Cheng (payback is a
bitch).
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- The funniest bit in the movie has Ha-Sien
beating the hunchback so badly, that Liu Chow Mu’s hump turns inside
out, resembling a pair of misshapen breasts!
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THE BUDDIST FIST features some great traditional martial
arts and breath-taking stunt work. Yuen Wo Ping’s fight choreography is
exciting without resorting to any wire works. The final fight scene is an
awesome display of Buddhist Palm and Buddhist Fist, and is not to be missed by
fans of the genre. The combat scenes are fast and furious, and leave the viewer
wanting more. Also of note, both the melodramatic acting and the comedic
performances of the cast are admirably performed, unlike most other films of
this ilk.
The script is well-written and superbly paced for an older
martial arts film. The narrative follows Ha-Sien as he tries to make some sense
of his grandfather’s disappearance. This perspective generates a modicum of
suspense because we know someone is to blame, but we don’t know who.
Furthermore, the identity of the black-masked thief is kept secret until the
climax (although he is not too hard to figure out). By the end of the film we
feel sympathy for Ha-Sien, because he suspects everyone, and even accuses his
own Shaolin master of abducting his grandfather!
There is also quite a bit of humor in the film. The humor
occurs between the fight scenes, keeping things from getting dull (which
sometimes happens in the melodramatic portions of martial arts films). The
funniest thing is the portrayal of the assassin hunchback, Liu Chow Mu (San Kuai)
who plays the role like Peter Lorre, or an ADDAMS FAMILY member. The cheesy
dubbing actually makes this performance seem even more over-the-top! Other
comedic bits include two Shaolin masters trying to outplay each other in a game
of chess boxing. Ha-Sien gives haircuts in a local barber shop and accidentally
shaves off a villain’s mustache. He paints a new mustache on the man’s face,
but the poor guy discovers that Ha-Sien shaved it off, and chases after Ha-Sien!
The town officials bully the local residents, until a clan of Shaolin monks make
them look like fools.
SIGHT
Mercifully, Tai Seng presents THE BUDDHIST FIST
in the movie’s original aspect ratio (1.85.1). Overall, considering the age of
the elements (and the low budget), this transfer looks pretty good, though it
has its share of flaws. There is some nics, scars, and imperfections in the film
elements, but not as much as I expected; and it never detracts from the film.
Colors are slightly muted, but this is intentional on the part of the
filmmakers. The movie is filmed in candlelight interiors (such as monasteries)
and the shadowy exterior scenes result in intentionally cloudy cinematography.
The visuals are rather cramped and atmospheric, forsaking panoramic scenery for
huddled, claustrophobic scenes. The transfer preserves this downplayed visual
style, and serves to makes the characters and fighters more colorful than their
surroundings. The detail level is very good, although there is not a whole of
production design in the cinematography that requires a lot of detail. The
biggest problem with the transfer is that the black level is a little bit off.
Because of this, the exterior night scenes look terrible. Luckily these night
scenes are few, and it does not really impact the presentation as a whole.
Besides this and the occasional scratch, the main problem is the grain, but that
is to be expected with a film of this nature and vintage. The martial arts
scenes are the highlight of the film, and they look great in their widescreen
execution. If you compare the transfer quality between the Tai Seng and Xenon
versions, you'll notice that the Tai Seng transfer is sharper and grainier. The
Xenon transfer has more vibrant colors, but is fuzzier. So the image is not
perfect, but this unquestionably is the best transfer done so far by Tai Seng
for their budget DVD line. I hope they keep it up.
SOUND
The audio is an impressive Dolby Digital Mono
1.0. The sound has a full range of highs and lows, and is easily equal to the
decent mono mixes that Anchor Bay serves up so well. The mix has no hiss,
background noise, or dropouts. The soundtrack is free from distortion, even at
elevated volume levels. THE BUDDHIST FIST is mainly dialog driven with the
native or English dubbed voices coming from the center channel. The dubbing is
painfully obvious but done fairly well—the voice actors actually project a lot
of emotion into their characters including humor, surprise, anger, and
confusion. The other major component to the audio mix is the sound effects. What
classic martial arts film would be complete without those exaggerated,
bone-crushing blows, near misses, and leaping kicks that sound like birds
flapping their wings overhead? These sound effects are a staple to these films
and play an important role. The uncredited score is very non-traditional; it
sounds like something Ennio Morricone would have composed. The score is used
sparingly for dramatic or humorous moments, and sounds good on the soundtrack.
This mono mix is not spectacular (what mono mix is?), but it gets the job done
perfectly.
FEATURES
Trailers fans rejoice. There are several trailers
for other Yuen Wo Ping films, including TAI CHI 2 (1.66.1, DD 1.0, 2:32), WING
CHUN (1.85.1, DD 1.0, 1:33), MIRACLE FIGHTER (2.35.1, DD 1.0, 3:52), and the
1993 version of IRON MONKEY (1.85.1, DD 1.0, 1:43). There is also a trailer
medley, consisting of scenes from Tai Seng’s Shaolin Classic Series. The
scenes are lifted from Tai Seng’s other films in the budget line, DECENDANT OF
WING CHUN, SHAOLIN AVENGERS, and LEGEND OF THE DRUNKEN TIGER. This trailer
medley is accompanied by an appropriate rock soundtrack. There is also a
biography/filmography of director Yuen Wo Ping. There is no trailer for THE
BUDDHIST FIST.
CONCLUSION
Tai Seng finally redeems themselves here after
those full frame, English dubbed Hong Kong DVDs they previously released.
Instead of some no-name Far East flick that no one has ever heard of, Tai Seng
secured a bona-fide martial arts classic in THE BUDDHIST FIST. The film combines
awesome action, surprising character development, suspense, and outrageous
humor. Fans of Jackie Chan’s and Yuen Wo Ping’s DRUNKEN MASTER series should
surely take a look at this DVD. Kudos to Tai Seng for providing an admirable
widescreen transfer, multiple languages, and even some extras, and still keep
the retail price point down to $20. We need an experienced DVD content provider
to restore the luster of this overlooked genre on DVD, and I eagerly look
forward to more widescreen releases from a company that cares about their DVD
product and their fans.
Rating (out of 5):
| Movie: |
4.0 |
| Video: |
3.5 |
| Audio: |
2.5 |
| Extras: |
2.0 |
| Overall: |
4.0
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- Tony
Mustafa
THE
BUDDHIST FIST is available from HKFlix.com
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