BUDDHIST FIST (90 mins) $19.95
1980 Tai Seng
Region 0
Video: Widescreen (1.85.1)
Audio: Dolby Digital Mono 1.0 (Cantonese, Mandarin, English)
Theatrical Trailers
Filmography
Packaging: Keep Case

 

Directed by Yuen Wo Ping


This 1980 martial arts film was originally released as FO ZHANG LUO HAN QUAN. What separates this film from the countless others released from this era? It is directed by Yuen Wo Ping, better known as the action genius responsible for the martial arts stunt work from THE MATRIX. And Tai Seng doesn’t hesitate to name-drop and capitalize on the success of THE MATRIX (just check out the packaging on this DVD!). This hype is justified however, because Yuen Wo Ping pretty much pioneered the whole cable-fu genre (much to the chagrin of many) single-handedly. THE BUDDHIST FIST was previously released on DVD by Xenon Entertainment; their print of the film was also taken from a respectable widescreen print (which was taken from a PAL master licensed from the U.K. video company, Made in Hong Kong). However, Xenon's DVD does not have the original Cantonese and Mandarin language tracks or the extras that Tai Seng's version has.

On the DVD scene, Tai Seng has been making a name for themselves by importing some great DVDs over from Hong Kong, and releasing a budget DVD line consisting of recent and classic HK titles. This budget line has been something of a disappointment, mainly because the DVDs have all been full frame, with English dubbing only. With the release of THE BUDDHIST FIST, Tai Seng makes a giant step forward. This DVD is the first title in their budget line that is letterboxed, and includes alternate bilingual languages to go along with the English dub track. Hopefully, this is the start of something big for Tai Seng, which they can develop into a successful line of classic widescreen martial arts DVDs (which would be a boon to fans everywhere).

The movie stars Yuen (DREADNAUGHT) Shunyi as the confused Ha-Sien, a young man looking for his missing grandfather. Shunyi was a capable martial artist who never hit it big. Gordon (SHAOLIN MASTER KILLER) Liu is the real star of this film, even though he is not the hero. He plays Ah Sheng’s life-long friend Si Ming, a Shaolin monk. Like every classic martial arts film, there is a wise old kung fu master in the film played here by Yuen (DANCE OF THE DRUNKEN MANTIS) Chun-Wei. San Kuai plays the deformed hunchback assassin, named Liu Chow Mu. This movie was filmed by the talented Yuen Clan who were responsible for classic martial arts films such as the original DRUNKEN MASTER, SEVEN GRANDMASTERS, and BORN INVINCIBLE.

When Ha-Sien was a young boy, he was often beaten by bullies. One day, a bald kid named Si Ming pulls the bullies off of Ha-Sien, and introduces the boy to the martial arts. Over a decade later, Ah Sheng is all grown up, and is now a talented martial artist, thanks to an old Shaolin master. Si Min (Gordon Liu) is also a star pupil and is an accomplished Shaolin monk (also serving under the old master). The old one has taught Ha-Shien and Si Ming one half of the deadly Buddhist Fist technique. Ha-Sien returns to the Shaolin temple after being away for many years, and he is disturbed to find that that his old grandfather has been missing for over three months.

One night, a thief in a black mask sneaks into the Shaolin temple, and tries to steal the sacred Jade Buddha. The masked thief sneaks away without the artifact, but returns to wreak havoc on temple residents. Meanwhile, a shadowy character hires some assassins to take out Ha-Sien, including hotel owner Boss Chen (Simon Yuen), and a hilarious hunchback, Liu Chow Mu! Ha-Sien must overcome many obstacles (including assassins and the masked thief), to find out whether his grandfather is alive or dead—and to find out who is responsible for the old one’s disappearance.

There is a lot of stuntwork and a high body count. Here is a brief description of some of the mayhem:

  • A young woman is strangled by an unknown assailant.
  • Hunchback assassin Liu Chow Mu silences his victims by using his "Holy Goose Claw" strike.
  • Boss Chen takes a sword-like weapon and uses the sharp blade to impale a young woman.
  • Two of Liu Chow Mu’s assistants get skewered by arrows when they stumble into a trap meant for Ha-Sien.
  • Ha-Sien impales Boss Cheng (payback is a bitch).
  • The funniest bit in the movie has Ha-Sien beating the hunchback so badly, that Liu Chow Mu’s hump turns inside out, resembling a pair of misshapen breasts!

THE BUDDIST FIST features some great traditional martial arts and breath-taking stunt work. Yuen Wo Ping’s fight choreography is exciting without resorting to any wire works. The final fight scene is an awesome display of Buddhist Palm and Buddhist Fist, and is not to be missed by fans of the genre. The combat scenes are fast and furious, and leave the viewer wanting more. Also of note, both the melodramatic acting and the comedic performances of the cast are admirably performed, unlike most other films of this ilk.

The script is well-written and superbly paced for an older martial arts film. The narrative follows Ha-Sien as he tries to make some sense of his grandfather’s disappearance. This perspective generates a modicum of suspense because we know someone is to blame, but we don’t know who. Furthermore, the identity of the black-masked thief is kept secret until the climax (although he is not too hard to figure out). By the end of the film we feel sympathy for Ha-Sien, because he suspects everyone, and even accuses his own Shaolin master of abducting his grandfather!

There is also quite a bit of humor in the film. The humor occurs between the fight scenes, keeping things from getting dull (which sometimes happens in the melodramatic portions of martial arts films). The funniest thing is the portrayal of the assassin hunchback, Liu Chow Mu (San Kuai) who plays the role like Peter Lorre, or an ADDAMS FAMILY member. The cheesy dubbing actually makes this performance seem even more over-the-top! Other comedic bits include two Shaolin masters trying to outplay each other in a game of chess boxing. Ha-Sien gives haircuts in a local barber shop and accidentally shaves off a villain’s mustache. He paints a new mustache on the man’s face, but the poor guy discovers that Ha-Sien shaved it off, and chases after Ha-Sien! The town officials bully the local residents, until a clan of Shaolin monks make them look like fools.

SIGHT

Mercifully, Tai Seng presents THE BUDDHIST FIST in the movie’s original aspect ratio (1.85.1). Overall, considering the age of the elements (and the low budget), this transfer looks pretty good, though it has its share of flaws. There is some nics, scars, and imperfections in the film elements, but not as much as I expected; and it never detracts from the film. Colors are slightly muted, but this is intentional on the part of the filmmakers. The movie is filmed in candlelight interiors (such as monasteries) and the shadowy exterior scenes result in intentionally cloudy cinematography. The visuals are rather cramped and atmospheric, forsaking panoramic scenery for huddled, claustrophobic scenes. The transfer preserves this downplayed visual style, and serves to makes the characters and fighters more colorful than their surroundings. The detail level is very good, although there is not a whole of production design in the cinematography that requires a lot of detail. The biggest problem with the transfer is that the black level is a little bit off. Because of this, the exterior night scenes look terrible. Luckily these night scenes are few, and it does not really impact the presentation as a whole. Besides this and the occasional scratch, the main problem is the grain, but that is to be expected with a film of this nature and vintage. The martial arts scenes are the highlight of the film, and they look great in their widescreen execution. If you compare the transfer quality between the Tai Seng and Xenon versions, you'll notice that the Tai Seng transfer is sharper and grainier. The Xenon transfer has more vibrant colors, but is fuzzier. So the image is not perfect, but this unquestionably is the best transfer done so far by Tai Seng for their budget DVD line. I hope they keep it up.

SOUND

The audio is an impressive Dolby Digital Mono 1.0. The sound has a full range of highs and lows, and is easily equal to the decent mono mixes that Anchor Bay serves up so well. The mix has no hiss, background noise, or dropouts. The soundtrack is free from distortion, even at elevated volume levels. THE BUDDHIST FIST is mainly dialog driven with the native or English dubbed voices coming from the center channel. The dubbing is painfully obvious but done fairly well—the voice actors actually project a lot of emotion into their characters including humor, surprise, anger, and confusion. The other major component to the audio mix is the sound effects. What classic martial arts film would be complete without those exaggerated, bone-crushing blows, near misses, and leaping kicks that sound like birds flapping their wings overhead? These sound effects are a staple to these films and play an important role. The uncredited score is very non-traditional; it sounds like something Ennio Morricone would have composed. The score is used sparingly for dramatic or humorous moments, and sounds good on the soundtrack. This mono mix is not spectacular (what mono mix is?), but it gets the job done perfectly.

FEATURES

Trailers fans rejoice. There are several trailers for other Yuen Wo Ping films, including TAI CHI 2 (1.66.1, DD 1.0, 2:32), WING CHUN (1.85.1, DD 1.0, 1:33), MIRACLE FIGHTER (2.35.1, DD 1.0, 3:52), and the 1993 version of IRON MONKEY (1.85.1, DD 1.0, 1:43). There is also a trailer medley, consisting of scenes from Tai Seng’s Shaolin Classic Series. The scenes are lifted from Tai Seng’s other films in the budget line, DECENDANT OF WING CHUN, SHAOLIN AVENGERS, and LEGEND OF THE DRUNKEN TIGER. This trailer medley is accompanied by an appropriate rock soundtrack. There is also a biography/filmography of director Yuen Wo Ping. There is no trailer for THE BUDDHIST FIST.

CONCLUSION

Tai Seng finally redeems themselves here after those full frame, English dubbed Hong Kong DVDs they previously released. Instead of some no-name Far East flick that no one has ever heard of, Tai Seng secured a bona-fide martial arts classic in THE BUDDHIST FIST. The film combines awesome action, surprising character development, suspense, and outrageous humor. Fans of Jackie Chan’s and Yuen Wo Ping’s DRUNKEN MASTER series should surely take a look at this DVD. Kudos to Tai Seng for providing an admirable widescreen transfer, multiple languages, and even some extras, and still keep the retail price point down to $20. We need an experienced DVD content provider to restore the luster of this overlooked genre on DVD, and I eagerly look forward to more widescreen releases from a company that cares about their DVD product and their fans.

                                               Rating (out of 5):

Movie: 4.0
Video: 3.5
Audio: 2.5
Extras: 2.0
Overall:

4.0

- Tony Mustafa

THE BUDDHIST FIST is available from HKFlix.com

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