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| BEAST
FROM 20,000 FATHOMS (93 mins) $24.95 |
| 1953 Warner Bros. |
| Region 1 |
| Video: Full Frame
(1.37.1) |
| Audio: Dolby Digital
Mono 2.0
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| Subtitles: English,
French |
| Packaging: Keep Case |
| Chapter Stops: 12 |
| Trailers |
| 2 Featurettes |
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Directed by Eugene
Lourie |
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Written by Lois
Morheim, Robert Smith, Fred Freiburger, Eugene Louries |
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Produced by Jack Deitz, Bernard
Burton, Hall Chester |
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Music by David Buttolph |
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Cinematography by Jack Russell |
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Starring Paul Christian, Paula Raymond, Cecil
Kellaway, Kenneth Toby, Donald Woods, Steve Brodie Lee Van Cleef, |
With the exception of the original KING KONG, THE
BEAST FROM 20,000 FATHOMS was the first Hollywood production to set the
standard for the giant-monster-on-the-loose genre. Adapted from a Ray
Bradbury’s short story The Foghorn, the film broke new ground
and gave the world the first glimpse of the stop motion animation
wizardry of a young Ray Harryhausen. The main hero of THE BEAST FROM
20,000 FATHOMS is German actor Paul Christian, who had key roles in DAY
THE SKY EXPLODED, THE INDIAN TOMB, and THE DEVIL’S AGENT. You can see
the beautiful Paula Raymond in THE DEVIL’S DOORWAY, BLOOD OF DRACULA’S
CASTLE, and FIVE BLOODY GRAVES. Genre great Kenneth Tobey forged a
career for himself with films like this. His other appearances include
THE THING FROM ANOTHER WORLD, IT CAME FROM BENEATH THE SEA, and MARK OF
THE VAMPIRE. Character actor Cecil Kellaway (HUSH HUSH SWEET CHARLOTTE,
THE CONFESSION, ZOTZ) portrays the prominent scientist role. And look
for the great Lee Van Cleef as the military man who does in the
creature.
On an Arctic expedition, scientist Tom Nesbitt
(Paul Christian) watches on as gigantic prehistoric beast slaughters his
comrade; then he himself is injured in an avalanche caused by the
creature. When he tries to explain to his superiors what caused the
death of his associate, no one will believe him. Soon boats begin
disappearing mysteriously in the Atlantic Ocean. The action shifts to
New York where a recovering Tom Nesbitt joins forces with Military
Colonel Jack Evans (Kenneth Tobey), Paleontologist Thurgeon Elson (Cecil
Kellaway), and his attractive assistant Lee Hunter (Paula Raymond).
Drawing on what little evidence they have, Professor Thurgeon postulates
that the beast Tom saw is called a Rhedosaurus, and that it will return
instinctually return to its ancestral spawning ground—which happens to
be that concrete jungle called New York City. Tom’s sanity and
Professor Thurgeon’s theories are ratified during a diving bell
expedition where they spot the beast. It goes ashore into the busy city
wreaking havoc upon the inhabitants. The beast trashes everything in its
way, until it gets tangled up in the rollercoaster at Coney Island. This
allows the military to shoot the beast with a radioactive isotope, bring
the creature’s deadly rampage to an end.
THE BEAST FROM 20,000 FATHOMS is the giant monster
film that defined a genre. It was the first of its kind to use a
scientific approach and include a nuclear subtext. It prominently
featured scientists, scholars, and military commanders as protagonists.
THE BEAST FROM 20,000 FATHOMS inspired Toho Studios to go ahead with
their GODZILLA series, thereby taking nuclear horror to new heights.
Despite the lack of a high-profile cast, Kenneth Tobey, Paul Christian,
Paula Raymond, and Cecil Thurgeon are all highly memorable, giving the
movie an almost ‘documentary’ feel. Of course, the real star of the
movie is Ray Harryhausen whose intricate animation of the Rhedosaurus
steals the show. For those kids of today who think that overblown
digital effects are the cat’s meow—they need to see Harryhausen’s
brilliant work. Former art director Eugene Lourie made his directorial
debut with THE BEAST FROM 20,000 FATHOMS, and the success of the film
led him to direct similar genre favorites, including THE GIANT BEHEMOTH
(1959), THE COLLOSUS OF NEW YORK (1958), and GORGO (1961).
Warner Bros. presents THE BEAST FROM 20,000
FATHOMS in it’s original 1.37.1 full frame ratio. The image is crisp
indeed, allowing even greater detail than ever. There is some nics and
scratches in the film elements, but that is normal considering the
vintage. Grain is seen in many shots. The perfectly-calibrated black
level really showcases the purity of the Black & White picture.
Harryhausen’s animated effects blend seamlessly with the miniatures
and composite photography. The New York City attack scenes are topnotch.
The audio is Dolby Digital Mono 2.0 with outstanding dialog, music, and
sound effects. Oh sure, there’s some hiss and background noise
present, but hey, this is 1953 we’re talking about here. From the
extras menu, you can access a really cool featurette, Harryhausen and
Bradbury: An Unfathomable Friendship. This short documentary
features the two friends reminiscing on the production of THE BEAST FROM
20,000 FATHOMS and other fantasy films. Another featurette, The
Rhedosaurus and the Roller Coaster: Making the Beast, follows Ray
Harryhausen as he describes the evolution of this landmark genre effort.
Warner Bros. also included trailers for THE BLACK SCORPION, VALLEY OF
THE GWANGI, CLASH OF THE TITANS, and THE BEAST FROM 20,000 FATHOMS.
THE BEAST FROM 20,000 FATHOMS is a true classic.
If you love giant monster flicks, and haven’t checked this one out
yet, we encourage you to do so, as the entire genre can be traced back
to this film. Harr6yhausen’s FX work is worth the price alone. And
Warner Bros gives it the royal DVD treatment, including two new
featurettes with the two Rays: Harryhausen and Bradbury.
BEAST
FROM 20,000 FATHOMS is available from DVDEmpire.com
VALLEY
OF THE GWANGI is available from DVDEmpire.com
THE
BLACK SCORPION is available from DVDEmpire.com
Rating (out of 5):
| Movie: |
4.5 |
| Video: |
3.5 |
| Audio: |
2.5 |
| Extras: |
2.5 |
| Overall: |
4.0
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- Phil Chandler
BACK
TO REVIEW INDEX
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| JOE'S
APARTMENT (80 mins)
$14.95 |
| 1996 Warner Bros. |
| Region 1 |
| Video: Full Frame
(1.37.1) |
| Audio: Dolby Digital 2.0
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| Subtitles: English,
French |
| Packaging: Keep Case |
| Chapter Stops: 11 |
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Written, Produced
& Directed by John Payson |
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Written by Lois
Morheim, Robert Smith, Fred Freiburger, Eugene Louries |
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Music by Carter Burwell |
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Cinematography by Peter Demming |
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Starring Jerry O'Connell, Megan Ward, Robert
Vaugh, Jim Turner, Billy West, Reginald Hudlin, Don Ho, Jim
Sterling, David Huddleston |
Everyone has favorite films from their childhood
that linger on as favorites throughout their years. My main two were
Weird Science and Joe's Apartment(yeah... I was a weird kid). Since
Weird Science has yet to get a decent DVD treatment after two attempts,
I'll have to suffice with reviewing Joe's Apartment. I can remember
being in 2nd grade and watching the MTV VMAs that year. A trailer for
what was going to be MTV's first movie played, complete with a guy being
beaten to a pulp from the camera's POV and singing cockroaches. After
seeing about two more specials that MTV played about the film, I was
certain that it was going to be the best movie ever. I went the 2nd day
it was in the theater with one of my friends and my mother. I loved the
film so much and called The Wall, which was the only record store in my
town at the time, several times inquiring about the soundtrack and
waited anxiously for at least two years for it to make it to video (for
the record, I never did end up buying the video release). Okay, I know
when reviewing a film, it's a bad idea to bring personal stories into
it. But I feel obligated to with this film, as it's one of my all-time
favorite films. Not many would say that, since the dismal reviews and
box office performance cause most people who actually enjoy the film to
file it under their guilty pleasures. But anyway, on with the review.
The film is written and directed by Jim Payson, who directed the
original MTV short film that inspired this feature length film. Jerry O'
Connell stars as Joe, a college graduate who comes to New York City to
start his live. But unfortunately, he doesn't find New York as
glamourous as he expected. In fact, it's pretty horrible. He's mugged as
soon as he steps off of his bus from Iowa to New York and can't afford
even the shabbiest of apartments. He meets up with an artist named
Walter Shit(Jim Turner) who informs him that the only way he could get
an apartment for the price he's asking is if his mother lived in one and
died. A few minutes later, they're walking down the street, where an old
woman who happens to live in a cheap apartment falls over dead. Joe
poses as her son back from college and gets the apartment. However,
inhabiting the same living quarters are thousands of cockroaches. But
these aren't your average cockroaches - they can talk. Not only can they
talk, but they can sing and there are several cockroach themed musical
numbers throughout the film. The cockroaches save Joe from his evil
landlords, who are in cahoots with New York Senator Doherty(Robert
Vaughn) who has plans to turn the East Village into a maximum security
prison. However, they also don't help his luck with his dream girl
Lily(Megan Ward).
I can somewhat understand the distaste for the film. Cockroaches are
pests and not really meant to be cuddly creatures singing songs that
could make Disney characters jealous. However, the film doesn't entirely
focus on the cockroaches. The trailers completely ignored the human
characters of the film, turning away weak stomached viewers who thought
they'd be seeings 80 minutes of bugs. In fact, all of the 1996-era
trailers I saw featured cockroaches and constant plugs of "MTV's
First Movie!" Those two things didn't prove to be enough box office
drawl (but it certainly worked on my 8 year old mind) But once the film
hit video, several people began to discover it and it became somewhat of
a cult classic. Hey, the film was featured on Joe Bob Briggs's
MonsterVision... isn't that enough to classify it as a cult classic?
Another thing that's sadly overlooked about Joe's Apartment are the
special effects. The CGI cockroaches look great (and this is coming from
someone who despises most CGI/live action integration) and seeing some
of the live action roach stunts makes you wonder how much the film's
roach wranglers went through to make the film. It may not be high art,
but Joe's Apartment still delivers laughs and sillyness. It's an
entertaining and highly underrated film. Most people I've talked to seem
to enjoy it, though those that hate it really hate it. Unfortunately,
Warner didn't feel the need to give it anything more than a budget DVD
release (though that makes it perfect for those who want to pick it up,
since you can find it in the $5.88 bin at most Wal Marts and Targets).
Warner didn't put much effort into the DVD release of Joe's Apartment.
The video transfer is the same one featured on the VHS release, meaning
it's a 1:33:1 open matte presentation. The film's original aspect ratio
of 1:85:1 was preserved on the Image LaserDisc back in 1996, so why they
didn't choose to just use that transfer is beyond me. However, at 39:19,
there's a superimposed bubble that would've been slightly obscured had
it been matted at 1:85:1, so maybe 1:33:1 is the intended aspect ratio.
Overall, image quality is pleasing. There's a few traces of grain here
and there and some scratches pop up at about 1:07:08, but other than
that, it's a decent looking full frame transfer. The audio is what
really shines about the transfer. This Dolby Pro Logic track really
packs a punch. There's plenty of whizzing that goes from speaker to
speaker and very bouncy sound effects. The original music comes out
sounding crystal clear. Bass is used little, except for in some of the
rock music used in the soundtrack. The track almost makes up for the
full frame transfer.
Warner didn't supply any extras for the disc at all. Even the lamest of
extras, such as trailers, text biographies, and Filmographies are not
present on the disc. The menu isn't even themed to the film. This is
weak, because Warner could've placed the original Joe's Apartment short
film(which I thankfully own on the I Want My MTV video compilation) or
the two music videos that were released (from The Rentals and De La
Soul). What I'm angry about is the fact that MTV played two different
specials to promote the film back in 1996. I don't remember what one of
them was titled and it featured behind the scenes footage of the special
effects being created and the other was called "Unbugged" and
had Jerry O' Connell along with the film's central roaches - Ralph and
Rodney - plugging the film with music videos and clips from the film. I
could understand where rights to the music videos could've been a
problem, but over the end credits of the Unbugged special, they played a
deleted song sequence. I would kill to have a copy of these specials,
especially that deleted scene, but alas, I'll probably never see them.
Warner definitely disappointed me with this release.
Though it's not one of Warner's strongest titles, it's a shame they
chose to release it early in the DVD game and features no extras
whatsoever. Joe's Apartment isn't a film for everyone, but since the DVD
can be picked up for a meager $5 in some stores, I'd recommend it. Also,
a forewarning: my first copy of the DVD appeared to be poorly authored,
since the disc showed a bit of discoloring and bubbles(!!?) on the
bottom of the disc. It eventually wouldn't play without locking up every
few minutes. I bought a new copy and it's working fine, with none of the
aforementioned physical problems.
Rating (out of 5):
| Movie: |
4.0 |
| Video: |
2.5 |
| Audio: |
4.0 |
| Extras: |
0.0 |
| Overall: |
4.0
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- Justin Channell
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