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FIVE DEADLY VENOMS (1978)
Steeplechase 
98 Minutes $19.99
Directed by Chang Cheh
Produced by Mona Fong and Chen Lieh
Written by I Kuang and Chang Cheh
Cinematography by Tsao Hui Chi and Kung Mu-To
Fighting Instructions by Lu Feng, Liang Ting, and Tai Chi-Hsien
Costume Design by Liu Chi Yu
Music by Chen Yung Yu 
Cast: Phil Kwok, Lo Meng, Sun Shien, Wei Pei, Lu Feng, Pan Ping Chi, Lu Feng

Video: Widescreen (2.35.1)
Audio: Dolby Digital Mono 2.0
Subtitles: None

Packaging: Keepcase
Chapter Stops: 15

The revered Shaw Brothers Studio the martial arts genre throughout the sixties and seventies. But it was their 1978 film, FIVE DEADLY VENOMS, which took them to the next level in the international arena—and in particular the North American marketplace. When FIVE DEADLY VENOMS was produced, Runme Shaw hired the Shaw Brother’s best filmmaker, Chang Cheh, to write the script and direct (Cheh cut his teeth on Shaw classics like ONE-ARM SWORDSMAN, DUEL OF THE IRON FIST, and DISCIPLES OF DEATH). Then Shaw hired a cast of unknown martial arts performers to portray the Five Venoms. Because of the unique plot, excellent production values, and hard hitting action, FIVE DEADLY VENOMS was a rousing success. The cast members who played the Venoms became superstars overnight. The Shaw Brothers studio capitalized on the success of FIVE DEADLY VENOMS by reuniting director Chang Cheh and the cast members for sequels like RETURN OF THE DEADLY VENOMS (also available on DVD), FIVE KUNG-FU DAREDEVILS, and DESTROYERS OF THE DEADLY VENOMS. Today, even the most casual fans of Kung Fu films know the name FIVE DEADLY VENOMS, in no small part due to rap groups like WU TANG CLAN (who base their music around the films of the Shaw Brothers). Steeplechase, an independent video company specializing in foreign art films, released this martial arts classic on DVD in 2000.

FIVE DEADLY VENOMS features many fresh talents who carved out a niche for themselves in Hong Kong film history. Chiang (KID WITH THE GOLDEN ARM) Sheng is Yan Tien, an apprentice martial arts student hoping to carry out the last wish of his dying mentor. Phil (INVINCIBLE SHAOLIN) Kwok is Captain Lu, whose is also known as the Lizard. Feng (UNBEATABLE DRAGON) Lu is the evil Venom member known only as the Centipede. Wei (LAST HURRAH FRO CHIVALRY) Pai is the other traitorous Venom member, the Snake. Sun (AVENGING WARRIORS) Shien plays the head of the town’s police, Captain Ma; also secretly the deadly Scorpion. The unbelievable Meng (CRAZY SHAOLIN DISCIPLES) Lo portrays the unbeatable venom member, Lei Hung. Lung Lei (DEATH CHAMBER) Wang portrays the corrupt judge.

The old master of the Poison Clan, a highly evolved breed of martial arts masters, is near death. All the students that he has taught over the years ha left his tutelage under mysterious circumstances. The only remaining faithful member of the Poison Clan is the young apprentice Yan Tien (Sheng), who tends to the needs of his dying master. In his last days, the old master comes clean with Yan Tien, and tells him the grim truth of the Poison Clan. In the outside world, the members of the Poison Clan are regarded as honorless outlaws. He informs Yan Tien that over the years he trained 5 students in the various martial arts styles (scorpion, lizard, snake, centipede, and toad). Furthermore, he revealed that the members of the powerful Poison Clan are aware of each others existence, but do not know each other’s identities (since they all wear masks). The old master instructs Yan Tien to go after the Poison Clan to try and to convince them to turn to the side of justice. The old master tells his loyal pupil to seek out an ex-instructor of the Poison Clan, who can help Yan Tien further enhance his martial arts skills.

But before Yan Tien can locate his master’s old associate, the two Venom members known as Centipede (Feng Lu) and Snake (Wei Pei) set a trap for the old guy. Apparently, the old man lives in poverty when in fact he is sitting atop a stash of hidden gold. Centipede and Snake pressure the old guy to turn over his gold, and when he refuses, they kill all his family members in front of him. Then Centipede and Snake kill the guy and escape without the gold. A street vendor witnesses the duo escaping from the murder scene. The local police force, led by Captain Lu (Phil Kwok) and Captain Ma (Sun Shien) are on the case, but they don’t have a clue who is behind the murders. The town judge (Lung Lei Wang) comes down hard on the police force, and threatens to throw them in jail if they do not come up with any suspects. When Yan Tien discovers that the street vendor saw Centipede and Snake commit the brutal acts of murder, he informs Captain Ma. Captain Ma in turn informs his friend, Lei Hung, the Toad Venom. Centipede and Snake hide at the wealthy palace of Snake (he’s rich and spoiled). When the police go to confront the duo there, Lei Hung attacks the Centipede and beats him—allowing the police to easily capture him.

Meanwhile, the Snake uses his money to bribe the judge, and the street merchant. Captain Ma and Captain Lu bring the Centipede to stand trial for the murder he committed. But the street merchant lies and tells the court that he witnessed Lei Hung commit the murders. The judge is on the take as well, and orders the police to throw the innocent Lei Hung inside an iron maiden until he confesses. He doesn’t die, however, and escapes the deadly embrace of that hellish torture device. Lei Hung tries to escape, but the weapons of the unseen Venom member, Scorpion, bring him to his knees. He is taken to the jail, where one of the judge’s flunkies smothers the injured Lei Hung to death. The judge declares Snake and Centipede innocent of all charges, and the duo set about murdering all those who can connect them to the crime. Captain Lu is the only member of the police force outraged at the death of Lei Hung, and he quits the force. The Scorpion is still at large, and no one knows who he is. Yan Tien joins forces with the angry Captain Lu and together they formulate some fighting tactics designed to counteract the fighting abilities of the other Venom members. This leads to the inevitable showdown between the duo of Captain Lu and Yan Tien and the team of Centipede and Snake. Just as they are about to join in battle, the mysterious Scorpion enters the fray. But whose side is he on and what is his agenda?

The key to the success of the original FIVE DEADLY VENOMS is the emphasis on actual plot and characterization. The scripts of your average Kung Fu films introduce stock characters and provide just enough filler between fight sequences. Here, the focus is on the Venom characters (with their flawed personalities) and the intrigue surrounding these individuals. The Snake and Centipede know each other, but do not know the identities of Scorpion, Lizard, and Toad. Lizard and Toad know each other, but don’t know the other Venom members. Each character has different traits, characteristics, strengths, and weaknesses. Therein lies the hook, and the audience learns along with the Yan Tien character, finding out who these different masked men are. The character of the Scorpion is an unknown commodity to everyone. The other Venoms know nothing about him and neither do the audience, as he really only shows up in the conclusion (though he is talked about all through FIVE DEADLY VENOMS). The unknown identities of the Venoms is the main source of intrigue in the film (especially Scorpion’s character). As indicated, the fight aspects are downplayed, and there is the addition of other things you wouldn’t normally expect—like some tense period Courtroom sessions. Just like in today’s justice system, officials can be bought. And if the corrupt judge declares you guilty in this movie, it’s off to the iron maiden you go (and I’m not talking a rock concert here).

The main criticism in fan circles regarding FIVE DEADLY VENOMS is the pacing and lack of fight scenes. While there is some truth to that, let it be known that this is not your average martial arts film. Director Chang Cheh is at his best, and he completely controls the narrative, keeping the build-up scenes fresh and full of tension. There are moments where additional fight scenes are warranted, and other fights that are just too quick. But when the action gets rolling midway through, it never stops. The Kung Fu styles (such as Snake, Centipede, Lizard, etc.) are authentically depicted and should have been used more. Some combat sequences involve some special effects (such as Venom members clinging to walls like spiders) and some primitive wire-work (but not enough to offend purists). The exhilarating fight choreography includes numerous bloody wounds and associated nastiness. Characters are graphically tortured, murdered, and beaten. Horror/gore fans would certainly appreciate the brutality of FIVE DEADLY VENOMS. Adding to this is the bleak atmospheric tone of the production design (like the medieval torture devices, dungeons, and other gothic trimmings).

Having the budget of a Shaw Brothers film behind it, FIVE DEADLY VENOMS shines in numerous areas that most genre films lack. This budget allows for an epic scale in all areas of the production. The sets and costume design, fight choreography, and cinematography are top notch. Besides the visual aspects of the production, Chang Cheh provides dynamic camerawork. The masks worn by the Venoms are also very memorable, but some of them are only glimpsed for a few moments. I noted a strange observation in FIVE DEADLY VENOMS that breaks further traditions in the genre. There is a complete lack of female characters. Most Kung-Fu flicks either have a kick-ass female Kung-Fu character, or at least go the token damsel in distress. Except for citizens in the street, females are no where to be found. I at least like to see some sexy Chinese women somewhere in the thick of things.

SIGHT

Steeplechase presents FIVE DEADLY VENOMS uncut, in the original Shawscope ratio of 2.35.1. Though the transfer is a obviously a direct port from a VHS master, it lacks the analog haze and video noise that plagues that inferior format. This is a notch above Steeplechase’s DVD release of FIVE FINGERS OF DEATH. Also, the source prints here are also in better shape than that title, but minor wear and grain can be detected throughout the film. Every so often, the image takes up a sepia tint—but it never lasts too long to distract from the presentation. The color schemes appear slightly muted, but this may be intentional due to the surprisingly gothic ambiance. The bloodflow scenes are convincing, and are some of the most gruesome moments in the film. The costume designs by Liu Chi-Yu are truly colorful and spectacular and not what you’d expect from a typical martial arts film. The widescreen framing shows off the cinematography and authentic set design. The one marvelous trait of a Shaw Brothers film, is that they spare no expense to faithfully recreate the time period. The fight scenes are perfectly captured in their widescreen glory. Though the transfer is not flawless, fans who suffered though the pan’n scan bootleg will drool over this Shawscope presentation.

SOUND

Though the packaging indicates Dolby Digital 2.0 stereo, in actuality, it is a mono presentation. The good news is that it is a powerful mono mix with plenty of frequency range, and yes, a hint of bass. During all the Kung Fu blows, kicks, and flying bodies, there is plenty of realistic sound effects that tease with a hint of bass. Considering the emphasis on characterization, drama, and intrigue (rather than all-out action), the dubbing is fairly tolerable; and its those same group of voice actors that dubbed hundreds of these films. But it appears they put a little more time and feeling into their delivery. The period music is by Chen Yung-Yu. His score is a combination of authentic Chinese arrangements that include lots of gongs, flute, and primeval drum sounds. But the sound elements (sound effects, dialog, score) come through clear and crisp and without any dropouts or distortion. There is no background noise or hiss. Though the lack of a stereo sound mix is disappointing, this mix serves the movie well, and sounds better than the problematic mono mixes of the competition.

FEATURES

None, not even a trailer.

CONCLUSION

What stands out about FIVE DEADLY VENOMS, is that it has one the most original plots ever for a martial arts film. The idea of having the title characters wear masks is brilliant. And the fact that this is a Shaw Brothers production means that it has excellent production values and gorgeous widescreen cinematography. The success of FIVE DEADLY VENOMS set a precedent for the industry to follow, and numerous rip-offs and sequels followed. The stars of FIVE DEADLY VENOMS could pick and choose roles as they wished, at least until the mid-eighties when the genre mysteriously dried up. FIVE DEADLY VENOMS is simply a must see film that holds up to repeat viewings, though the elements of intrigue won’t be as powerful, since you’ll know the ending. Steeplechase provides a transfer that is visually superior to their treatment of their FIVE FINGERS OF DEATH DVD. If you consider yourself a fan of old-school Kung-Fu, and you don’t have this one in your collection, consider yourself a poser.

Lo Meng vs. Lu Feng!

FIVE DEADLY VENOMS is available from HKFlix.com

-- Tony Mustafa

Movie:

4.5

Video:

4.0

Audio:

3.0

Extras:

0.0

Overall:

4.0


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